Anansi Boys, by Neil Gaiman (audio)

AnansiBoys_AudioCD_1185670155Charles Nancy aka Fat Charlie has always lived in the shadow of his father, and is relieved when his father dies. Then, at the funeral, he’s told that his father was a god, and that he has a brother named Spider that he knows nothing about. In a drunken fit, Fat Charlie calls his brother to visit him, and ends up completely ruining his life.

Karen’s been after me to listen to this book for years now, but I really didn’t want to, because I really just didn’t like American Gods (to which this is a loose sequel)! But eventually, I listened, and it turned out to be a pretty good book. It wasn’t anything like American Gods, but far more like Good Omens, a book I really loved. There were good twists and turns, and the supernatural stuff wasn’t too far-fetched, and I liked all the characters. The audio narration was also pretty good.

I forgot to write about this one right after I finished listening to it, so I don’t have a lot of impressions to write down. In general, I enjoyed it, and I’m glad I gave it a chance. The end.

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The Mad Scientist’s Daughter, by Cassandra Rose Clarke

daughterFinn is an android, but human in appearance, and nearly human in the way he behaves. From the time Cat is five years old, Finn acts as her tutor, but as she grows, he becomes her friend. Eventually, she has fallen in love with him, and knows that though he can physically respond to her when she asks him to, he will never be emotionally tied to her, nor will it ever be “right” to be in love with a robot.

This was an interesting book. I worried about the whole robot bit, but it was pulled off well. While there was definitely some suspension of disbelief in the whole situation, it was a familiar enough concept, and the same could have been written about, say, a southern white family in the early 1900s and a daughter who fell in love with a black servant. Even society’s attitude toward various forms of robots and androids changes throughout the book, and by the end, many new laws are enacted to protect them. In some ways, the metaphor was almost too strong, but honestly, I didn’t mind. The story was interesting.

I appreciated the exploration of whether a non-human can feel the same way a human can feel. Again, it’s the same as a person trying to confront their own prejudices about how other races/genders/religions/orientations etc feel. With Finn being an actual robot, the dynamic was even more interesting.

The writing was good. I was surprised just how sensual and evocative the human/robot sex could be, but it was.

The book wasn’t all perfect. There were some strange personality shifts that didn’t seem to quite mesh 100% of the time, and I have a hard time believe Richard would never find out about his son. But for the most part, it was well-written. I wish it had been published by a bigger publisher. It needed some copyediting and consistency checking. A professional team of editors would have shaped it into even better shape than it already is. But for being small press, they did very well – I noticed far fewer errors than I normally see in small press printings.

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Steelheart, by Brandon Sanderson

steelheartMajor spoilers.

A decade ago, a red star called Calamity appeared in the sky, and certain people were granted supernatural powers. These Epics are practically invincible, and with invincibility and power, they become corrupt. Chicago is taken over by an Epic called Steelheart, and David was in the bank that Steelheart attacked on the day of the takeover. He was a small boy, and he watched Steelheart kill his father. He also saw something important: he saw Steelheart bleed. For years, he has watched Epics and gathered information, with the intent to join an underground group called the Reckoners, the only people left who still fight against the Epics. He will join them, and fight, and eventually get his revenge on the man who killed his father.

I admit, after The Rithmatist, I was a little leery about reading another of Brandon Sanderson’s YA novels, even though he’s one of my favorite authors. The Rithmatist just felt too young to be YA, and his 16-year-old main character, Joel, acted more like a 12-year-old. I was not terribly impressed, even though I liked the book. Steelheart was different. From the very beginning, it was far more grown up. David is 18 at the start of the book, and he acts more like an adult than a child. There is violence – not so much gore, but very disturbing scenes – right from the beginning. All throughout the book, there were little moments that felt more YA, but I think the book could have easily passed for an adult novel. It’s right on the brink between the two age groups.

I was sucked into this world and the story immediately, barely putting the book down. The pacing was perfect, and Sanderson once again excelled at character and the dynamics of a close-knit group. There were many things I didn’t expect, many twists I didn’t anticipate. There were moments that nearly brought me to tears. There were parts that made me angry, and then made me see things more clearly. I kept guessing all the way through. And sometimes, I was nearly right! I was convinced that Steelheart’s weakness came when someone believed he was a good person, and so he set about doing evil things – and fabricating evil things – in order to show himself to be a bad person. I wondered if perhaps we were going to get a classic Sanderson twist of discovering that the person we thought of as evil was not so bad after all. But in the end, it was a lack of fear, rather than a belief in him, that was the weakness, and I thought David was clever in how he eventually brought about Steelheart’s demise.

One thing I wasn’t sure about right away was Megan’s reappearance after her death. I get annoyed when people die and come back to life in books, and Megan’s death was particularly poignant. But discovering that 1) she was actually Firefight, 2) she had died many times and that part of her power was resurrection, with loss of memory, a day later, and 3) she was actually herself for a lot of the time, rather than an Epic – these things helped me to cope, and I hope we get to know her better in the next book. Considering it’s called Firefight, I imagine much of it will revolve around her.

I cannot wait to read the next book. This was absolutely fantastic. I only regret that it’s a bit too old to read to my boys (at least the two younger boys), and I know they were looking forward to it. Sanderson completely redeemed himself for me re: YA with this book.

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The Gluten-Free Bible, by Jax Peters Lowell

gfbibleNot much to say about this one. It’s pretty much just a reference book, a how-to on living gluten-free. I learned a lot about what to do and what to watch out for. I was able to make some changes at home because of things in this book. There were good recipes inside, and I would love to have a copy of the book just for those.

I do think the book needs to be updated. It’s a 10-year-old book, and much has changed regarding the visibility of Celiac disease and gluten-free lifestyle. Nutritional information has changed, too, including validation of lower carb diets which the author is very dismissive toward. I also didn’t appreciate some of the more catty remarks in the book (for example, at one point, she says “Let’s face it, mothers still do most of the caring for children,” and that just makes me bristle). But there were some great resources, like the foreign language cards and recipes, and so I appreciated the book despite it being a little out of date and biased, and I think it will be useful to have around in the future.

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Timeless, by Gail Carriger

11324166Major spoilers.

Fifth and final book in the series, this time involving a trip to Egypt and a lot more information about the backgrounds of many, many characters.

Lots to like in this book, though I didn’t like this one as much as the last four. Some things were too convenient, like Biffy having an Anubis form, and some things were too contrived, like Lord Maccon surviving a huge fall while injured by several gunshots and both in his mortal stage. No. Sorry. It would have been far more tragic if Lord Maccon had died, and better written. Now, if Carriger didn’t want the book to be tragic, she shouldn’t have had him appear to die in the first place, at least not in a way that was so convincing that him being alive makes no sense.

I did like that Ivy, of all people, became a vampire queen, and the whole foreshadowing of that given the role she was playing in her play. I liked learning more about Prudence. I loved the relationship between Lyall and Biffy. I do wish I’d learned more about Mme Lefoux’s involvement (there was even one chapter where stuff was meant to be revealed, per the title, and yet nothing was revealed!), and about Floote, and about Alexia’s father, but I think enough was revealed that I’m okay with that. I loved Felicity’s fate! And I do wish that Captain Featherstonehaugh had been someone other than a random name bantered about from fiance to fiance. It would have been nice to discover he only fraternized with his fiances by letter, and that he was, oh, maybe, Felicity, the entire time. 😀

First book: Soulless
Second book: Changeless
Third book: Blameless
Fourth book: Heartless

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Heartless, by Gail Carriger

Gail_Carriger_-_Heartless_book_coverSpoilers.

Fourth book in the series, and still good. Even less Jane Austen speak, or maybe I’m just getting used to it. A lot of fun re: pregnancy. Exciting plot, even if a tad predictable. (I know, for example, that they had the wrong queen right from the beginning, and that Quesnel had been kidnapped or in some way kept from his mother.)

I’m intrigued by what’s happening to the baby, though. It seems she turns into whatever form exists of the person touching her. In her father’s arms, she turns into a werewolf cub. In her adoptive father’s arms, into a baby vampire. But in her mother’s arms? Not into a preternatural, but a normal human – and that’s strange to me. A little inconsistent, perhaps. I guess I’ll see how it plays out in the last book of the series.

First book: Soulless
Second book: Changeless
Third book: Blameless

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Blameless, by Gail Carriger

Blameless_by_Gail_Carriger_1st_edition_coverSpoilers.

Third book in the series, and the best one so far in my opinion. The last book left me a bit unsettled, what with Lord Maccon rejecting his wife so soundly, and I was happy that she gets quite angry and unwilling to forgive him after that, and he gets all sauced and mopey. Good. I do also like how they eventually come back together, as well as all the forays into the different ways people view the supernatural in other parts of the world.

This book was far more philosophical than the others so far, particularly with the contrast of Biffy being turned against his will into a werewolf (sadness), and the Templars’ insistence that that anyone who is supernatural chooses to be thus and is therefore damned. Biffy was probably going to choose immortality, yes, but he hadn’t yet, and the choice was taken from him – a situation that the Templars seem to have no understanding of.

Some of the Jane Austen language is fading a bit, which is nice, so that also helps. All in all, I think this was a good direction for the series to go, and I liked the book a lot.

First book: Soulless
Second book: Changeless

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Changeless, by Gail Carriger

Gail Carriger - ChangelessSpoilers.

Second book in the five-book series, and pretty much exactly like the first one. Lots of Jane Austen speak, crazy capers, a cross-dressing woman, dirigibles, supernatural badstuff. Etc.

I liked this one as much as the first one, maybe a bit more because the Jane Austen speak wasn’t quite as pronounced. I liked Madame Lefoux a lot, and thought Ms Alexia was a bit naive about the whole situation, especially since she’s already friends with Lord Akeldama and knows all about his preferences. But yeah, I liked this one right up until the end, when Alexia’s husband decides that her pregnancy means she’s cheated on him. Which frankly makes no sense, since every time she’s touching him, he’s mortal, which means he should be perfectly able to have a baby with her. The fact that he assumes otherwise, especially when there’s no precedent for this sort of situation at all (no supernatural has ever married a preternatural), makes him a complete bastard in my mind, and if I were Alexia, I would NEVER take him back no matter what. Bastard.

I know she does, though, which frustrates me, and he had better be suitably groveling in the next book for that to happen. And yes, I will read the next book, and the two after that, probably in the next few weeks.

First book: Soulless

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Why We Get Fat, by Gary Taubes

Taubes_why_we_get_fatBasically a lot of distilled science about insulin resistance and the need to eat far fewer carbs.

I could never get through Good Calories, Bad Calories by Gary Taubes. It was too scientific for me. I heard this book was a more lay-version of the processes in that one, and decided to give it a try. Well, maybe it was a bit too lay for me – a bit too biased – but in the end, what he had to say made a lot of sense.

Carbs – particularly refined carbs, and in very large quantities – cause insulin resistance, which leads to fat-tissue padding, which leads to hunger and overeating and lethargy and under-exercising. Interesting theory, that it’s getting fat that leads to overeating, and not the reverse.

In order to combat this, we have to lower our carb intake, and which carbs we get it from.

I was worried about this being an advertisement for low carb diets, but in the end, he said 1) this is not a diet book, 2) there is no one way that works for everyone, 3) going low carb is very hard and if you eat too much protein and not enough fat, it can be toxic, and 4) some people are genetically predisposed to be fatter, no matter what you do. I appreciated the honesty.

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Soulless, by Gail Carriger

Soulless_by_Gail_Carriger_1st_edition_coverAlternate history, 19th century London. Steampunk. Supernatural beings (werewolves, vampires, ghosts) are an accepted part of society. There is also the rare preternatural being: a person without a soul (as supernatural beings have an excess of soul). Preternaturals are rare enough that there is only one in all of London: Alexia Tarabotti. She’s a mid-20s spinster whose dead father was Italian, and at the beginning of this book, she is surprisingly attacked by a vampire who is unaware of vampire/human/preternatural protocol.

This was a fun book. Fun, sexy, funny, all that. Only issue with it was the way it was written – in faux Jane Austen speak. I could have done without that. It would have been a brilliant book if not for that. But even with it, it was a fun book, and I’m sure I’ll have fun reading the sequels. Nothing much more to say than that.

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