Books:
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Favorite Reviews:
I have reviewed many books over the years, and some reviews have been more interesting or fun to write than others. The below list were my favorites to write.
• Ada, or Ardor
• Choose Your Own Autobiography
• Dr. Jekyll and Mr. Hyde
• If Not, Winter
• Jonathan Strange & Mr. Norrell
• The Kid Table
• Like Water for Chocolate
• Lolita
• The Monk
• The Night Circus
• Oathbringer
• Return of the Native
• Rhythm of War
• S
• Things Fall Apart
• The Unit
• The Woods Are Always WatchingCategories:
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- circus horror
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- education
- end of year
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- Harry Potter
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- lists
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- Middle East
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Reached, by Ally Condie
This is the third book in the Matched trilogy, a series I have a long and complicated history with, that those of you who knew me over the last few years already know, and which I don’t care to recap publicly again. I really enjoyed the first book in the series, Matched, and reading it helped me come to peace with the situation referred to above, as well as meeting the author and having a long talk with her online and in person in 2010. The second book of the series, Crossed, didn’t work as well for me, and didn’t leave much of an impression on my memory. That made reading this third book, Reached, a very interesting experience, because going into it, I couldn’t remember many of the situations and characters that only appeared during Crossed (people like Indie, for instance).
Besides the small amount of disorientation re: situations/characters, though, I thought Reached was much better than Crossed. It held my interest from the very beginning of the book, and I read it all in a single day. It felt as strong as Matched did, though it also held some of the same weaknesses as well. There were places I felt didn’t go as deep into emotions/situations/history as it could have, and places that felt too neatly wrapped up. Those are my main complaints. However, I’ve always viewed this series as more “dystopia lite” rather than true, heavy dystopia (1984, the Hunger Games series, The Unit, etc), and so the not-so-deep and too-neat sections really fit the series. I can’t complain about them too much.
I can’t say much more than this without getting too personal, and/or becoming biased in a way that would be inappropriate for a review. I appreciate this series for what it is, and I have a lot of respect for the author after my interactions with her. The Matched series was solid without pulling too many heartstrings, a little weaker in the middle but strong at the beginning and finish. Oh, and I love all the cover art. That’s all.
The Weird Sisters, by Eleanor Brown (audio)
Rose, Bianca, and Cordelia: three sisters named after Shakespeare characters, growing up in a household that runs on books (mostly works about or by Shakespeare, but others as well) and a whole lot of scatterbrained parenting. Said sisters have reached adulthood by a decade or so, and have all returned home now due to failed attempts at their chosen lives. Plus their mother has breast cancer, though that’s really only secondary to the whole running-away-from-their-failures thing. Now, they all have to learn a little more about themselves, each other, and how to really grow up.
So, I got this audiobook from the library because I remembered seeing the title around and thought people liked it. I started listening to it awhile back, and wasn’t immediately in love with it. It was easy to listen to, though, and I like having an audiobook while I’m out walking, so I kept listening. Several times, I almost decided to quit, because the story just wasn’t doing anything for me. In the end, I listened all the way through to the end, and I felt much about the book then as I did in the beginning. Meh.
I didn’t really connect with any of the characters. They felt real enough, but not like the sort of people I tend to connect with in real life, so I guess that’s understandable. There were certain scenes I connected to – thinking specifically of Rose’s disappointment as a child when her intricately constructed play didn’t go quite like she planned, as I relate to that exact feeling/situation! – but for the most part, I couldn’t really get into the story, either. By the end, I felt like everything resolved too neat for my tastes as well.
I like the concept of what the author was trying to do – a coming-of-age story in adulthood. There are so many coming-of-age stories in children’s books and teen fiction, but not quite so much of it in adult literature. Yet, many adults don’t just finish growing at the age of twenty. Many of us grow a lot more throughout adulthood, and life can sometimes be very difficult to figure out. I did like that while Mom’s cancer in this book provided an impetus to tie the family together, it was not the catalyst for the three sisters to grow up. They had other reasons, which felt more realistic, and more true to the whole coming-of-age theme: a growth due to personal need for change, rather than because of a tragic event.
I wish I had connected more to the book. Like I said, I like what the author was doing here, and I think that if the characters had been more like people I connect with in real life, I would have enjoyed it immensely. But sadly, the disconnect was too wide for me to really get past, and in the end, the audio was fine for listening, but not something I got much out of.
The Mostly True Story of Jack, by Kelly Barnhill
Jack’s parents are getting divorced, and so Jack is sent to live with his aunt and uncle in middle-of-nowhere Iowa for the summer. At home, he’s used to being nearly invisible. He has no friends, the bullies ignore him, and there are no pictures of him at home. But in Iowa, suddenly everyone has an interest in him, magic might turn out to be a real thing, and memories of a long-forgotten past start to bubble up in Jack’s mind.
It’s been a long time since I really read any middle-grade fiction, but when I took my kids to the library two weeks ago, I saw this book and was intrigued by the cover and description. I decided to give it a chance, and I’m glad I did, because it’s a really good book! There’s a lot in it – magic, good and evil blurring along grey lines, the power of words and friendship. Multiple story threads are woven together, so that it’s hard to tell exactly where the story will go for a long time, even though there are hints from the beginning. I enjoyed the way it all came together, and how it ended.
Like most middle-grade fiction, a lot of the characterization was simpler than in books aimed for older readers, and the pacing was a little fast/abrupt. I would have loved for the book to slow down in places, so that I could really enjoy what was happening. I was pleased at the way the story elements came together slowly, but within each scene, everything happened so fast, and I felt like it could have been expanded and filled out just a little in places. I didn’t mind too much, though, because I know it was written that way on purpose, for that middle-grade audience, and I know my kids will adore this one when they read it. I’m glad I saw it on the shelf, and took a chance bringing it home!
Days of Blood and Starlight, by Laini Taylor
I love these books so much!! I’m so glad I finally read Daughter of Smoke and Bone this summer. I really wasn’t sure if I would like it. It was such a strange premise, and it sounded like it could be very cheesy. But so many bloggers that I respect had read it and loved it, and the book had won all sorts of awards, so I thought I would give it a chance. I’m glad I did. It was very well worth it, and the second book in the series definitely lives up to its predecessor.
These books aren’t just fun reads. They are fun, and yes, you can read them just for the adventure, paranormal, romance, etc aspects of them. But Laini Taylor excels in so many other areas. Her world-building is fantastic. Her characterization is fantastic. And there are literary themes draped all over the place, unobtrusive but definitely there, from race/class conflicts to what makes up family to issues such as rape. Beyond that, each book has a definite end, a conclusion that is satisfying even though you still want the next book as fast as possible. It’s the best way to write a series – not ending on a major cliffhanger, but letting you fall in love with the characters, so that you will want to read the next part of their story.
Already, I can’t wait to read the next book.
Revisited June 2014: I reread this in anticipation of the third book in the series, and fell in love all over again. This series doesn’t diminish with time or reread!
Reread via audio March 2017: Callback review
East of the Sun, by Julia Gregson (audio)
Viva is returning to India, and to afford her passage, she becomes a chaperone for three young people also heading to India. There’s Rose, who is going to be married to a Calvary officer whom she hardly knows. There’s Victoria, Rose’s best friend and future bridesmaid, who is determined to snag a husband of her own. And lastly there’s Guy, who has been expelled from school for reasons only vaguely described to Viva. The book follows all four characters across the ocean and into India.
I hardly know what to say about this book. It’s very, very long, so I thought it might make a good audiobook to listen to over a period of a few weeks. It did. The audiobook was completely passable, if unremarkable. The story seemed to be just about the same.
You know how sometimes you read a book and it ends up so completely average that you have nothing really to say? I’ve spent weeks trying to figure out what to put in this review, and have come up empty. There isn’t really anything bad about the book, except perhaps the plot was a bit contrived in places, and there wasn’t really anything good about it, either. I spent weeks listening to the book, only to forget most of the plot in the two weeks since I finished it. I actually had to look the character’s names up on Goodreads just to write my book summary above.
I’m still not sure I see the point of East of the Sun. By the book’s last quarter, when the action started picking up, I got the vague impression that it was trying to say something about relationships and trust, but I never found anything definite. For much of the book, I also thought maybe the author was trying to make a statement about British-Indian political climate in the late 1920s, but nothing came of that. Then there was the whole possibility of Guy’s psychological illness being a central point to grasp onto, but nothing ever came of that, either.
So I don’t know. Story-wise, the book was passable, and thematically, it touched lightly on some issues. Nothing on either of those fronts – or in characterization, or in setting, or in tone, etc – to make the book stand out. There’s really not much more that I can say than that.
Son, by Lois Lowry
Claire is assigned to be a birthmother, but something goes wrong during her first delivery. Now, she can’t stop thinking of the son who has been taken away from her. Can’t help visiting him even though she’s not supposed to be attached to him. And when he’s kidnapped from her community, she can’t stay behind without him.
Son is the fourth book and conclusion of the Giver series, following The Giver, Gathering Blue, and Messenger. I read the other three books in 2008 and 2009, and enjoyed them, though only the first book left a lasting impression on me. I had thought the series was finished with Messenger, and had liked the way it ended, but I did enjoy revisiting this world. I like that it tied together the different communities from the other books. Son takes place in three different communities – the carefully controlled world of The Giver, the special community put together in Gathering Blue and Messenger, and a third, new community, so that we get to learn about another society that lives in this dystopian world.
Just as with the other books, I enjoyed the parts related to the controlled world the most, perhaps simply because I connected with The Giver more than the other two books. I did enjoy the other parts too, and how they were all brought together. Like the other books, though, this one still fell prey to a very abrupt and not terribly satisfying end – less satisfying, in fact, than Messenger, which did seem to tie up the series pretty well. Despite that, though, I did feel like this made a good end for the series. I enjoyed reading it, even if the climax was a little anticlimactic for me.
Something Wicked & The Night Circus
Last year, when Lu from Regular Rumination brought up the idea of reading Something Wicked This Way Comes alongside The Night Circus, I immediately knew I had to join her. I’d loved The Night Circus and already wanted to revisit it, and I’d been terrified of Something Wicked since watching the movie in early adolescence. Putting the two together seemed like a fantastic idea, though my only association between the two was that they were atmospheric, fall-like books. Now, having read them both, I understand better why Lu associated them – the common element of a mysterious circus that arrives at night.
Something Wicked This Way Comes, by Ray Bradbury (read during readathon)
Will and James are next door neighbors and best friends. A mysterious circus arrives in their town one October, a few weeks from the boys’ 14th birthday. The two of them start to explore, only to discover that the circus is not what it seems on the surface.
Back in middle school, my teachers spent a lot of time showing us movie versions of classics rather than having us read the classics themselves (I went to a terrible school). A couple of those movies – Fahrenheit 451 and Something Wicked being the foremost – disturbed me so badly that I spent years afraid to revisit either story in their original form. (Ironic that they’re both by the same author…) A few years back, I finally overcame my fear of Fahrenheit 451, and now, I knew it was time to do the same with this book. I had blocked most of my memory of the movie out – didn’t even remember there was a circus involved! – and could only remember something about little boys hiding in dark houses and something about beetles or spiders that creeped me out a lot. Yes, my memory of it is that vague, which is probably why I was finally able to pick up this book and read it.
I enjoyed it from the very beginning! There were definitely parts that still creeped me out, particularly when it came to the aging sections. Rapid aging (or the reverse) is a particularly disturbing topic for me. But for the most part, I was delighted by the creepy atmosphere and hooked on the story. The exception came in the last quarter of the book, when suddenly Will’s father goes on a many, many paged philosophical rant that was sooooo very dull. I ended up skimming most of that section. And then after that, the rest of the book seemed sort of scattered and fragmented. I can’t tell if this is because I missed critical themes during the philosophical sections, or if the plot just splintered a bit at the end. So in the end, I enjoyed the book a whole heck of a lot more than I did the movie when I was a kid, but I don’t see it becoming a favorite or a reread contender in my future.
The Night Circus, by Erin Morgenstern (audio)
A year ago, when I first read and reviewed this book, I refused to put up a summary, because I felt like any summary, no matter vague or minimal, cut into the enjoyment of experiencing this book for the first time. For those same reasons, I will say nothing about the plot here, and just move on to my personal experience of this reread and first-time audio listen.
Honestly, I think I was more afraid to read this book than Something Wicked, not for the disturbing/creepiness factor, but because of how much I loved it a year ago. The Night Circus was, hands down, the very best book I read in 2011. It wasn’t just that it was gorgeously written, with a tightly-woven nonlinear plot and brilliant multifaceted characters. The Night Circus sparked something in me, and suddenly, for the first time in almost a year, I wanted to write again. I’d spent the last year in a sort of limbo, no longer knowing if I still wanted to write and aim to eventually be published, but after this book, I knew. I went on to plan and execute my best manuscript to date over the next six months. So when I began my reread of The Night Circus this year, I was terrified I would discover that all of that, all the influence and all my love for the book, was simply a case of right place right time. I didn’t want to discover that the book only felt mediocre and flawed to me on reread.
It’s hard to revisit a book that you loved so much, and that influenced you so deeply, but I swallowed that fear, and began to listen to the audiobook version. I needn’t have worried. The Night Circus was just as beautiful and well-executed as I remembered, perhaps even more so. I was instantly swept into Celia and Marco’s world, into words and images and atmosphere. I fell in love all over again. And, at one point, I was struck by a particular quote, because in retrospect, it applied exactly to how this story affected and influenced me a year ago:
You may tell a tale that takes up residence in someone’s soul, becomes their blood and self and purpose. That tale will move them and drive them and who knows what they might do because of it, because of your words.
And really, all I can say is thank you, to the author, to the book, to the story, to the narrator of this audiobook (Jim Dale, who was fabulous), to the publisher, to the people who told me to read this book, for giving me something that has, indeed, taken up residence in my soul. I am so happy to have revisited the Circus, and I’m sure I’ll be back again.
Posted in 2012, Adult, Prose
Tagged atmospheric, audio, callback, circus horror, classics, favorite, historical, memorable, place-character, readathon, reread, RIP-worthy, speculative
1 Comment
Unspoken, by Sarah Rees Brennan
Kami Glass is normal in most ways – lives in a small British town, runs the school newspaper, has a great best friend, loves her family – but she’s got one peculiarity that sets her apart: she never grew out of her childhood imaginary friend. His name is Jared, and she knows that he’s not real, that he’s only a voice in her head that provides comfort and companionship. For the most part, she manages to hide his existence from the world. Now, though, things are changing. The Lynburn family, feared by the town but absent for almost two decades, has returned, and Kami is determined to get to the bottom of their secrets. What she doesn’t expect is to discover that her Jared is not only a real person, but a Lynburn, and possibly dangerous.
I loved the concept of this book. Imaginary friend and/or schizophrenic voice turns out to be a real psychic connection to another person? I couldn’t wait to see what came of that, how Kami and Jared would react to this discovery! What an interesting idea! I finally got the book in from the library, and began to read it immediately. My first two thoughts while reading: 1) these characters are a lot of fun, and they make me laugh often, and 2) something about the writing itself feels weird and incongruous. These pretty much stayed my thoughts through most of the book.
To get the negative out of the way first, the writing itself kept startling me. It’s not as if it was badly written, but the book felt like huge sections had been edited out, only to be referred to later on, so that I was stuck trying to remember things I was clearly supposed to remember, but which weren’t actually in the book. It was as if I was skimming and missing critical information, when I was actually reading every word. Unfortunately, my only examples are spoilers. This one is a minor spoiler, from near the beginning of the book: When Kami is rescued from the well, she just pops out with the fact that Jared didn’t kill his father – something which had not been referenced before, and didn’t fit into the context of the scene at all. Then later, she tells her friends that she told the police she had fallen into the well rather than being pushed, but during the actual rescue scene, she told them she was pushed, just not by Jared. It’s conceivable that she knew of the police’s suspicions about Jared’s father from Jared himself, and conceivable she told the police she fell at a different time, but neither of those things are in the book, so the reader is left to catch up on their own. There were a lot of moments like that. I felt like I was constantly readjusting what I knew to what the characters knew and the author hadn’t told me.
But despite the missing references, I really enjoyed the book. It was great to sort of let go and just read for fun, because I liked the interactions between all the characters. They each came to life for me, and they made me smile and laugh a lot. I needed that – too few books have that perfect touch of humor. I cared less about the mysteries and magic in the book, and far more about the idea of Jared and Kami coming to try to figure out this bizarre connection between them. I appreciated that it didn’t mean they fell instantly in love in some sort of soppy romance, because really, when you discover that someone you thought was just in your head is a real person, it’s not necessarily a positive thing. They know everything about you – everything – your secrets, your pettiness, every thought you’ve ever had. You have no privacy, and they can hurt you more completely than anyone else could. It’s scary, and I appreciated that this book explored that.
And actually, I could have done with more characterization, more exploration of the relationships and impact of this psychic connection, and less of the mystery, magic, and explanations. I was a bit disappointed when every single little thing had to be explained. I like an air of mystery about some things, and I felt much the way I always feel when I read Phantom of the Opera – a story which starts out beautiful, and then is made mundane in the last half by explaining everything away. Still, even then, I probably would have said I liked this book more than I disliked it, if not for the last few pages. Here, we venture into spoiler territory again:
I hated the way the book ended. I hated that Jared turned on Kami after their connection was severed. I hated it for many reasons, foremost because it didn’t fit Jared’s character or his relationship with her. I could see someone else, someone who wasn’t Jared, closing up and attacking because he was afraid she had actually wanted to sever the connection, or because he was afraid that she wouldn’t care about him anymore, and he was just trying to protect himself. But I can’t see Jared doing that, which leaves me with only two logical conclusions – either that’s what the author intended, in which case, I loathe the sudden twist in his character that makes no sense to me, or he really did lose all his feelings for her when the connection ended as his uncle claimed he would, and honestly that might even be worse. How do you get over the psychological impact of discovering that your lifelong best friend actually never cared for you at all, that he just thought he did? I don’t like it. And honestly, I have a feeling the former is true, that Jared is trying to protect himself, and I can’t buy that. It feels like an unnecessary twist to entice the reader into next volume, and I wish that instead, it ended with the two of them floundering, unable to know what to do now that they are no longer connected. End spoiler.
There will be other volumes of this book, but I’m not sure I will read on. I would have gladly, if not for the ending. And that makes me sad. I really enjoyed this book for a long time, but walked away feeling far more disappointed by it than if it had just been mediocre from the beginning.