Never Let Me Go, by Kazuo Ishiguro

n131362Note: When I wrote this review, I didn’t think I was giving away any spoilers, but I’ve been told since then that my summary gives away the big secret of the book. The “big secret” was something I caught from the opening pages, and didn’t realize it was meant to be secret at all. So, fair warning – while I didn’t mean to include spoilers and only summarized what I thought was obvious from the beginning, apparently I gave away major plot reveals. Sorry about that!

Seven or eight years ago, I read The Unconsoled by Ishiguro, and hated it. I think, perhaps, I was just totally unprepared for the weirdness that was in it (I still can’t make sense of it when I think back), or I was too young in my reading to honestly understand it. I decided to give Ishiguro another chance for my 2nds Challenge, and debated between The Remains of the Day and Never Let Me Go. I’m not sure exactly why I chose the latter, but that’s what ended up coming home from the library.

This is an alternate history book about a Britain where cloning is routinely used for organ harvest. Clones go to schools until they are in their mid-teens, where they undergo training to become carers for older clones, who are called donors (as they are donating organs one by one until they “complete” (die)). Carers work at their job until they receive notice that it’s their turn to become donors. Kathy is a veteran carer, in her job for nearly twelve years, and has enough clout to request which donors she wants to care for. She seeks out old friends from the school she grew up in, Hailsham, and examines all her memories from childhood at the sheltered, secluded, creativity-focused school.

There’s more to it than that, but I don’t want to give too much else away, and the plot is hard to describe because for the majority of the book, there is no plot. Just memories. The first 240 pages are pretty much slice-of-life, and the gloomy cloning background is fairly unimportant. It’s more of a vehicle for Kathy’s story. The pacing is slow. Extremely slow. It was like listening to a mediocre performance of Debussy’s piano sonatas (I’m more of a requiem girl). Don’t get me wrong – I like down moments – but the first 240 pages were all down moments. There was no movement, and the writing, while not bad, wasn’t beautiful enough (for me) to outweigh the monotony. I didn’t really like any of the three main characters (Kathy, her spoiled semi-best friend Ruth, and their communal boyfriend Tommy), especially not Ruth, but the experiences they had in school were very reminiscent of things I remember from my old childhood. It was very real, as if someone was telling actual memories, instead of creating fiction. The characterization, while subtle, was near perfect. Mostly I just found it boring, though. My attention would ebb, and I’d find other things to read in the meantime. On the other hand, it was the sort of book that almost has to be read slowly and in little chunks, so while I frequently got bored, I always wanted to come back to it after a short rest.

The last 50 pages were a completely different story. There was suddenly a plot! The memories were gone, and there was some (mild) action. Not as in fighting/killing/adventure action, but just movement of the characters. They talked, they acted, they did things. That was missing for the first 240 pages. The last 50 went by very quickly, and the climax with Madame, a former guardian at Hailsham, is extraordinarily touching. I found myself near tears. For these being characters I didn’t particularly like, I ended up very invested in them.

Interestingly enough, the book makes a statement about the (potential) humanity of human clones, but doesn’t necessarily say anything about cloning itself. I don’t know what Ishiguro feels about the idea of cloning in general, but he seems to say that human clones would not just be soulless half-people. They would be every bit as human as non-clones. His message also can be taken out of the cloning context and applied to almost any type of discrimination. Several characters were repulsed by the clones, and yet despite this “natural” aversion, they worked hard to help make conditions better, and to prove the clones had souls, that they were real people. It’s an interesting and powerful statement, that even if you have a prejudice, you can work hard to overcome it in order to do what’s right and help the people you’re prejudiced against.

There were things in this book that I felt were superfluous. There’s a huge preoccupation with sex that wasn’t terribly necessary, and the whole romantic triangle between the three main characters was the only character-based development that didn’t make a lot of sense because it came so late and yet claimed it had always been there. But even with its flaws, Never Let Me Go is far better than The Unconsoled in my opinion. I’m not sure I’ll read more Ishiguro, but I have much more respect for him now.

**Note: Within six months of reading this book, Never Let Me Go grew to be one of my favorite books of 2009. It was the sort of book that quietly worked its way into my brain and didn’t let go (no pun intended). I read back through this review now and am appalled by my thoughts. I think of this book completely differently now. It was beautiful and subtle and powerful. I plan to reread (and re-review) in the future, now understanding the beauty and power of the book. In other words, if you come across this review, please know that just about everything I said here changed within months of reading the book. I’ve heard this is fairly common with Never Let Me Go, actually. It’s a wonderful book and I highly recommend it.

Posted in 2009, Adult, Prose | Tagged , , , | 3 Comments

New Moon, by Stephenie Meyer

newmoon_bookSpoilers.

In this second edition of the Twilight series, Edward becomes afraid that he’ll always be a danger to Bella, so he and his family run away. Bella goes nearly catatonic when he leaves, emerging only after months of zombie-like behavior, and survives after her awakening by clinging onto a former friend, Jacob. Jacob has two things in common with Edward – a love for Bella and a dark secret about his inner nature, a secret which will cause a huge conflict when Edward returns to town.

Okay, first let me just say I am officially sick of Bella+Edward. I’ll break this review into four parts.

The Good:

  • Despite his physical descriptions being cribbed almost directly from J.K. Rowling, I liked Jacob a lot, until he changed into a werewolf. His friendship with Bella pretty much carried this book and was one of the only redeemable qualities of it.
  • Edward was gone for most of the book. Oh thank goodness.

The Bad:

  • The entire first quarter of the book was ridiculous. I felt like I was watching a cheesy soap opera! The chapters that just say “October” “November” and “December” one right after another, turning pages, were laughably absurd. And I mean I cracked up laughing for 10 mins or so and had to put the book away for awhile. Corny!
  • Bella’s catatonic state and the depression she continues to carry afterwards were totally unbelievable and certainly not well-written. I know she’s a whiny, melodramatic girl, but this was too much to be real.
  • Along the same lines, Bella overreacts to everything, even after Edward returns. She’s constantly clutching at tables, or getting dizzy, or falling all over herself. That girl’s going to have a heart attack before she turns twenty.
  • Did anyone really believe Edward was leaving because he was tired of Bella? I didn’t think that for a moment, so when Bella starts saying at the end that she did, it’s just another unbelievable leap of logic. I can’t imagine anyone’s that stupid!
  • Jacob turned into a total jerk after he changed. That ruined him for me.
  • Edward came back. No!!! Cold marble is not sexy. I much preferred Bella sitting in Jacob’s overheated arms.
  • There’s another huge plot hole, just like in the first book. Alice flies to Forks, and yet drives Carlisle’s car to Bella’s house? Um, hello? Carlisle’s car wouldn’t be in Forks waiting for her, would it? It would be wherever the Cullens are living. I honestly kept thinking this was important, that there’d be a moment when Bella mentions seeing the car outside to Alice, and Alice would say she didn’t have that particular car there, and it’d lead to fear (there was an evil vampire stalking Bella…). But no, the car’s just there for a quick getaway, even though it makes no sense. I guess I was thinking too hard, thinking there’d be some cleverness there.

Half & half:

  • I enjoyed the voice in Bella’s head. I think it’s probably a clue as to what her power will be (or am I thinking too hard again?) when she’s eventually turned into a vampire (which seems completely inevitable at this point). I would have preferred, however, for it to have been more than a hallucination. I think it would have said more about her close bond with Edward if it had real.
  • The literary tie to Romeo and Juliet was interesting. It was a good effort, but it would have been more effective had there been some mention of it between the beginning and the end. It also would have been better without so many heavy-handed references to the symbolic connection, but I appreciated the effort nonetheless.

And the Ugly:

Bella thinks the following line about Edward when she’s thinking about becoming a vampire in order to save him:

Maybe, when I was beautiful and strong, he wouldn’t want distractions.

This line horrified me. The implications!! In order for someone to love you – heck, even just to stop chasing distractions – you must be beautiful and strong. Inhumanly beautiful and strong. Bella consistently doesn’t think she’s good enough for Edward, particularly throughout this book. She thinks becoming a vampire will make them even, and not just on the food chain level. She wants beauty, talent, strength, and more. And she thinks that it will take those things in order for her to be worthy of Edward. Worthy!! Tons of young girls read these books – what is the message coming across here? That beauty is what makes a person worthy of love? Yes, yes, some will argue that Edward loves her just the way she is, and that’s good, I’m glad he does (not that he never casually insults her and her weaknesses…), but that’s not the message that’s coming across here. Bella feels like she has to be more, and that she’s so inferior to him in every way. That’s what’s coming across. I don’t like that message filtering through the minds of teenage girls, who already struggle with the pressures put on them by society and media.

In conclusion, I’m coming to think Bella is unimportant to these books even though she’s the narrator. She’s personality-less at this point, a whiny, over-reactive bimbo whose only role is to let all the other characters develop and shine. It’s unappealing. I’m in no hurry to read the next book, if I read it at all.

Btw – what’s with the bloody flower on the cover? Does anyone know what that refers to?

Posted in 2009, Prose, Young Adult | Tagged , | Leave a comment

Blue Noon, by Scott Westerfeld

220px-Blue_Noon_Coverart_-_Scott_WesterfeldSuddenly, the blue time falls in the middle of the day, freezing all the daylighters, and surprising the handful of Midnighters that live in Bixby, OK. The Midnighters desperately search for answers as the boundaries between the secret hour and regular time start to crumble, leading to all out hysteria and potential massacre.

Hrm. Just like with Specials, I felt like the third of this trilogy simply wasn’t as good as the first two. There were some things that I loved – the contrast of various friendships, for instance – but more that unsettled me. Westerfeld has a way of leaving the end of a trilogy ambiguous, unclosed, messy. I imagine it has to be done that way on purpose, because the endings of the other books are so neat and perfect, with just a hint of what will come in the next book but satisfying on their own. But the end of this trilogy leaves so many questions unanswered or unsolved, so many situations torn apart and messy. I want to know what happens to Rex in that weird half-state he’s currently living in. I want to know what happens to after Rex and Melissa’s separation, and how Jessica and Jonathan are going to deal with the time-contrast problems they’ll end up having with their relationship. It seems in the end only Dess is preserved from sadness. At least she’s kept whole.

On a brighter note, this book kept me laughing. There are so many goth jokes! I loved it!

Perhaps I would have liked it better had I waited longer between Touching Darkness and Blue Noon. I think reading them so close together didn’t help. I burnt out a little, and this third one felt too fast. I plan to reread this one (slower) at some point, to wrap my head around everything better, but I still don’t like how torn apart everything gets. It’s funny, because in classic lit, or even most modern lit, it doesn’t bother me when things end messy or sad or hopeless, but when I read these books, I almost expect a happy or at least hopeful ending. At the end of these trilogies, I just don’t get that. That’s not to take anything away from Westerfeld’s writing, however. In some ways I respect him more for not shying away from the challenge of ambiguous, difficult endings. But at the same time, I couldn’t help but to want everything to end up not just saved, but well.

Book 1: The Secret Hour
Book 2: Touching Darkness

Posted in 2009, Prose, Young Adult | Tagged | Leave a comment

The Count of Monte Cristo, by Alexandre Dumas

The Count of Monte CristoOh finally! I’m done. I suppose I’ll just say right off that while this book is certainly well written, I didn’t enjoy it very much. It wasn’t the length or anything, though I wish I’d have chosen the abridged version. I’ll get to what bothered me momentarily. First I should give a short synopsis.

Spoilers follow for the rest of the review.

Edmond Dantes, an innocent young fisherman on the brink of marriage, is falsely accused of treason and thrown in prison. He’s stuck there for 14 years, when he escapes, discovers treasure, and spends a decade pulling together a massively intricate plan of vigilante justice against the people who put him in jail, caused him to lose his betrothed, and allowed his father to die in Edmond’s absence.

For the first 30 or so chapters, about 350 of my 1500 pages, I really enjoyed the book. There were a couple political/historical discussions that made no sense to me whatsoever, not being a history person myself, and I had to skim those, but for the most part, I sympathized with Edmond, I was touched by the goodness he did initially after he escaped from prison, and I had hope for the book in general. Unfortunately, Dumas then goes off on a 40-something-chapter (or 700-page) tangent. At least 500 of those pages had nothing to do with the story! I picked up a couple important names which reoccurred throughout the rest of the book, and beyond that, it was just boring and unnecessary. The last chapters picked up again, but by that point, I hated Edmond so much that I didn’t really care about all his plans, or how the plot turned out.

The first quarter of the book struck me differently than the rest. My biggest point to make about it has to do with the amount of guilt belonging to each person who led Edmond to prison. There were four people responsible to different degrees: Fernand, the jealous lover; Danglars, the spiteful coworker; Caderousse, the coveting neighbor; and Villefort, the ambitious lawyer. There is no doubt that of these four, Caderousse holds the least amount of responsibility. He doesn’t take part in writing the false accusation, and is kept too drunk to protest by Danglars and Fernand. He is, however, too cowardly to protest after Edmond is arrested, and later turns out to be a bad guy all around. But the other three all have a great responsibility. I have to admit, I understood both Fernand’s and Danglars’ motives. They may not be nice people, but they acted out of hatred, a strong emotion to them both. Villefort, however, completely bewilders me. In interviewing Edmond, he realizes he’s innocent, and decides to let him go. After Edmond leaves the room, however, he suddenly thinks, “Hey, I can better my station in life if I use this to my advantage!” Not in those exact words, of course, but it boils down to the same thing. He uses an innocent person, to whom he’s completely indifferent, on a whim, just to better himself. To me, that’s far worse than acting out of hatred or jealousy. I can’t understand that type of evil at all.

But after the first quarter of the book, this became a non-issue, because the biggest criminal of all emerged: Edmond Dantes himself. Seriously. He spends 25 years contemplating or planning revenge, exacted not only on the people responsible for his downfall but all of those around them. Not just they suffer – their families and friends and just about anyone that’s ever been in contact with them must suffer. And Edmond claims he’s only exacting the will of God, claiming he’s a messenger or an avenging angel. Okay, so maybe the statement won’t make me too popular, but it really bothers me when people claim they know and are executing the will of God against other human beings. I don’t mind if someone thinks they are following the dictates of God through a religion, such as going to church every Sunday or not eating pork or whatever, as long as they aren’t imposing on other people. But I don’t believe anyone has the right to hurt or avenge themselves on others and claim that it’s what God wants them to do. Indeed, even Dumas seems to recognize this, as after 1100 pages of vigilante justice, on the very last page of the book, Edmond admits that he was probably wrong to think God was guiding his actions. Of course, since he’s already destroyed all his enemies and their families, the revelation comes a little late. That’s convenient.

Other things bothered me, too (like Edmond ending up in a relationship with the teenage girl he’s raised as his daughter, ew!), but mostly I just didn’t have any sympathy with Edmond or his cause. In fact, there were few characters I liked all throughout the book. And while everyone pretty much received their due punishment except Edmond, I couldn’t feel good about it. I think it would have been sufficient for Edmond to have gone and proved that he was wrongly accused and put in jail. He could have brought about legal justice. Maybe it wouldn’t be as satisfying to him, but frankly, I don’t care. I would have enjoyed the book more had he been a good person.

I know other books by Dumas are also filled with this spiteful vigilante stuff. I think now of watching The Man in the Iron Mask, and I’m pretty sure the book would have been all about revenge and eye-for-an-eye justice, too. That pretty much causes me to want to avoid Dumas altogether. Having said that, though, I’m sure other people would actually get a kick out of this book, because there’s lots of adventure and a very intricate plot, except for the 700 pages in the middle where almost nothing happens. For being so old, it actually reads fairly modern, and I think the abridged version would cut out a lot of the babble and move along quickly.

And I am glad that I’ve read it now. I think it was good for me, even if I didn’t enjoy it.

Posted in 2009, Adult, Prose | Tagged , , | 1 Comment

Touching Darkness, by Scott Westerfeld

touching darknessThis is the second of three installments in the Midnighters series. Now that Jessica Day has discovered her power, everyone feels safe again, but not all dangers come from the midnight hour. Suddenly, there are normal dangers, outsiders who may not be able to access midnight, but who have found a way to interact with the creatures who can. While the Midnighters explore the history of their world, they discover conspiracy, and their lives are once again threatened by the secrets they unearth.

I actually enjoyed this book more than the first one. I was more familiar with the world these guys lived in, and Westerfeld did a lot more character development, especially with some of the Midnighters that had less of a role last time. I particularly enjoyed the bizarre connection between Melissa and Rex. The plot was more intricate, and the twists more difficult to predict, but at the same time, the pace was just a little slower (which I appreciated) and there were more down-moments. I now can’t wait to read the last book in the trilogy. Westerfeld has not yet disappointed me.

Book 1: The Secret Hour

Posted in 2009, Prose, Young Adult | Tagged | 1 Comment

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Extras, by Scott Westerfeld

extrasExtras is the fourth book in the Uglies trilogy. Yes, I did mean that. The dedication for Extras says, “To everyone who wrote me to reveal the secret definition of the word ‘trilogy.’” In other words, Westerfeld wrote this book at the request of fans, or so I read somewhere (can’t find the link at the moment, sorry). Either way, I’m happy he did, because while this book isn’t like the other three, it’s still a good read.

The book takes place several years after the collapse of the dystopia of the first three books. Humanity has become freethinking again. Without any structure or guidance, cities are going crazy, sort of like early teens seeking an identity for themselves. People have gone to extreme extremes, such as cliques that undergo surgery to turn their skin into leopard fur or fish scales, or kids who fashion their faces after old Japanese Manga characters. Extras takes place in a city of one million people in Japan. Resources are running low worldwide – turns out freethinkers are more demanding than bubbleheads – so this city implements a new form of currency: face ranking and merits. One receives merits by doing good things for the city. One ups their face rank by striving for popularity and fame. Both face rank and merits get you more stuff. Everyone has their own feed and cameras, so that their world is like a gigantic cross between Myspace, Blogger, and Youtube. Big feeds (think Cake Wrecks or The Daily Dish) far outshine the feeds of Extras – people with low face ranks – like my little corner of the blogosphere here.

Fifteen year old Aya Fuse is an Extra. Her face rank is nearly 500,000. Her older brother is famous, and she wants more than anything to find a story to post that will catapult her out of obscurity. She comes across a clique called the Sly Girls – girls who do crazy things like jump off bridges or surf on superfast trains but who also want to avoid fame at all costs. Aya tricks these girls into thinking she’s one of them, and plans to post their story all over the city, except that when she’s along for the ride, the girls accidentally discover a more important and more dangerous story. Aya may achieve her ambitions, but she’ll also have to pay the price for doing so.

There are two big themes in this book (that I’m going to talk about, at least). The first deals with fame and its consequences. Westerfeld mashes up an interesting hyperbole of current internet and Hollywood culture in order to create the layout for Aya’s city. There are paparazzi cameras that follow big faces around. Everyone knows everything about anybody. People compete for the most hits on their names, the most people watching their feeds. They compete for who can be the craziest, smartest, or most interesting. And those who aren’t famous covet what the famous have (except people like the Sly Girls, anyway). Aya’s so obsessed with fame that she’s blind. She knows her famous brother is a snob, and she makes fun of other famous people, but for some reason that doesn’t deter her. She’s willing to lie, cheat, or do whatever it takes to get her face rank up. When the paparazzi cams catch her talking to a big face when she’s covered in mud and slime, and her face rank goes up because everyone’s calling her Slime Queen, she’s outraged that secret pictures of her have been posted, and yet she doesn’t realize she’s doing the same thing to the Sly Girls. She feels lost without her camera or when she has to turn her feed off, like she no longer exists. She never changes. It was somewhat annoying, actually, but it gets the point across: emphasis on popularity in culture can be brainwashing and hypnotizing. The reader can see how easily this new city culture could devolve back into the dystopia of earlier, or into something worse.

Secondly, the book focuses a lot on honesty. Beyond the fact that everyone seems willing to lie to each other to get what they want, there’s one character who in particular emphasizes the value of truth. His name’s Frizz, and he’s the founder of a clique called Radical Honesty. He had brain surgery to disable his ability to lie, mislead, or deceive in any way. He can’t even keep secrets. This becomes quite a problem for the characters throughout the book, but it serves as an interesting foil to the blatant dishonesty shown by nearly every other character. I suppose the best way to show the harm of deception is to contrast it to pure truth.

Some other small notes about the book: Since this is set in Japan, there is a lot of Japanese cultural references. I don’t know much about Japanese culture myself, but I’ve known people who loved this one for all those references. Also, while this book is told from Aya’s POV, Tally Youngblood (the main character from the first three books) does come back into this one for the latter half. Seeing her from the outside confirms all the things I suspected about her in Specials. She still hasn’t completely rewired her brain, and she still thinks like a Cutter. It’s unfortunate, because I really liked Tally before, but in this book, she’s unstable, mean, selfish, and blind. But that wasn’t unexpected, because that’s exactly how she was in the last book, and she didn’t let them give her the cure. I’d hoped she’d gotten better, but it feels good in a way to have my suspicions about her confirmed.

There’s a lot more to this book than I can possibly say here. It was fun, and touched on a lot of things relevant to our current society, so I don’t feel like it’s too far off from being a warning. It’s not terribly related to the first three books of the trilogy (ha!), so I wouldn’t recommend reading it like it’s a sequel. It does, however, give a very insightful look at what might have happened within a few years of the dystopia’s downfall.

Book 1: Uglies
Book 2: Pretties
Book 3: Specials

Posted in 2009, Prose, Young Adult | Tagged , , | 2 Comments

The Secret Hour, by Scott Westerfeld

secretIn the small town of Bixby, OK, everything freezes at midnight. For one hour, the only things that move are the creatures that belong to this secret hour, and the handful of teenagers that were born at the stroke of midnight, thus enabling them to exist within this time period. They call themselves Midnighters, and when a new Midnighter moves to town, oblivious of all this, the old Midnighters have to protect her from the creatures that seem to feel she’s intruded on their space.

I read this book way too fast. It is a real page-turner, and I let myself leap through it as fast as it would carry me, gobbling it within a few hours. As a consequence, I feel a little dazed thinking about it, and I’m going to have to read it again, I think, to take everything in. It was a really good book, though not as insightful or as masterful as the Uglies trilogy was. This was more action and plot than depth and character, whereas the Uglies trilogy had a good balance of those things. But I can’t complain. It was fun and satisfying, even if I do have to read it again. It also did a good job opening for the next book in the series, while still having closure on this book. Westerfeld is fast becoming one of my favorite authors, even if my reviews on his books tend to be really awful. Sorry about that.

Posted in 2009, Prose, Young Adult | Tagged | 2 Comments

Enchanted Night, by Steven Millhauser

millhauserI’m a bit at a loss how to sum up this book. Basically, on a summer night under an almost-full moon, people of all ages (and dolls, and toys, and a mannequin) around a coastal town wake up and wander until dawn. Each has a different agenda and a different story to tell, and only in rare instances do they interact with each other. Music issues forth from a goat-legged piper in the woods, calling the characters from their beds. The whole thing is told in a series of somewhat interconnected vignettes, the largest three pages long, the shortest, seven words. It’s like Edward Gorey crossed with Salvador Dali, written in the style of House on Mango Street. Weird.

This is my second read by Steven Millhauser. I first read his short story collection The Barnum Museum two years ago, after the movie The Illusionist came out (it was based on one of Millhauser’s short stories). I really liked the collection, and in particular his story “A Game of Clue,” which has stuck with me strongly since I read it. I find myself recalling bits of it quite often. I chose Enchanted Night for my 2nds Challenge. I didn’t know, at the time, that it was a 100-page novella in vignettes. If I had, I would have chosen a different book. I’m not a big fan of the vignette form, at least not interconnected vignettes making up a full book. Indeed, despite the book’s short length, it took me two days to read. I didn’t think I liked it very much, but by the end, there was something about its peculiarity which endeared me to it. I can’t really say why I liked it, or what I liked in particular, but at the end, I was satisfied.

There are, I admit, many negatives to this book which should make me dislike it. I don’t really like the vignette style. There were far too many characters for such a short book. There is no climax, no action, no overarching plot, no real fiction form, actually, and no resolution (in fact, nothing to resolve, really). Or maybe that last part’s not too accurate, as perhaps many people had little things to resolve, and each got resolved, for better or for worse, in the end. But the story as a whole didn’t. I wonder, though, if that matters, because it wasn’t really a cohesive story, but something fragmented and clinging to each other by spiderlike threads. Almost experimental, with definite creepy and mildly sexual undertones. I don’t know. One way or another, though, I’m sure I don’t understand half of what Millhauser laid out, and I will probably remember each little moment distinctly. Perhaps over time I will grow to understand it more.

I don’t know if I recommend this to anyone, but it certainly was an interesting experience. I’ll bet it would be better to listen to than to read, with someone who would do all the voices…

Posted in 2009, Adult, Prose | Tagged , , | 2 Comments

Shadows on the Grass, by Isak Dinesen

shadowsI read Out of Africa by Isak Dinesen (pen name for Baroness Karen Blixen) about a year ago. It was an interesting book, a memoir about Blixen’s experiences in Africa. She lived there nearly two decades, and had much interaction with the various African tribes around her. She also got to know the landscape and animal life in what is present-day Kenya. Shadows on the Grass is a continuation and an expansion of that memoir. It was written many years later (about 25, I believe), and includes information about the various people she’d left behind. I got to find out what happened to Farah and Kamante and many of the others after she left Africa. That was nice. Normally memoirs feel so unclosed, and this did a lot to help close it off.

Last summer I bought a copy of the Out of Africa at a library book sale, and it came coupled with Shadows on the Grass (makes a lot of sense to me now, considering how related the two were). I hadn’t realized, though, that of this 500-page book, Shadows only made up a fifth. It was very short in comparison. It took me weeks to read Out of Africa, but because of the length, and perhaps because I was already prepared for the dry style of Blixen’s writing, this didn’t take as long to read. It also wasn’t terribly interesting on its own. I wouldn’t recommend it if you hadn’t already read the first 4/5ths of the memoir. This really is an extension, not so much a standalone book. That isn’t to say it’s bad, I liked it, but I imagine it would be almost useless without Out of Africa. Half the stuff she talks about refers back to her original memoir.

Overall, I liked it, but can’t really say much more than I’ve already said about Out of Africa. I didn’t learn anything new about Africa. I pretty much just got caught up on what happened to everyone after Blixen left, plus heard a couple more stories from when she was there.

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