A Room of One’s Own, by Virginia Woolf

roomA Room of One’s Own is adapted from a series of lectures Virginia Woolf gave on the topic of “Women and Fiction.” In them, she concludes that in order for a woman to write, she must have money and a room of her own. She looks back through the history of women and their rights (or, more correctly, lack of rights), and tries to sort through why so few women ever wrote books and poetry, when so many men did. This was her conclusion. A woman needed money in order to become educated and self-sufficient, and she needed her own space in order to escape from the many distractions women were burdened with.

I don’t think I got as much out of this book as I could have. It was difficult for me to read, and I kept thinking it would be so much easier to understand if I could listen to it. Unfortunately, the library system in San Antonio doesn’t have a single copy of the audio version of A Room of One’s Own, so I read it in print the best I could and doubt I caught more than a 10th of what it contained. I also think I would have liked the book better in audio. It feels spoken. However, even that 10th contained some important things, so I’m going to pull out what I gleaned from one of Virginia Woolf’s most famous contributions to literature.

Equality

Everyone knows the stories of women with no rights, subservient and oppressed. They know it from their own ancestors 100+ years ago. They know it in today’s world from certain countries. They hear about the struggles of women to gain the right to work, to vote, to hold property, to wear pants, to obtain birth control. I’ve heard these things so many times that in some ways, I’ve become desensitized. What happened to my ancestors is bad, but right now, right here, I think there’s a lot more equality, and whatever tips the scales against women in the Western world is balanced by the things that tip the scales against men. It’s not perfect on either side, but it’s so much better than even just 30 years ago. It’s hard for me to think of myself as oppressed. I can’t think of myself as oppressed. I’m not. Not at all. And no one’s ever made me feel that way.

While Woolf talks about the things you always hear, she also gave two examples in this book that really blew me away. They were inequalities unfathomable to me because they were so minor and yet so symbolically powerful. She tells how she was walking on the grass at a university, when a guard came up to her to explain that only fellows were allowed on the grass. Women had to stay on the pathways. A bit later, she went to a university library, and was denied entry because a woman can only be admitted with a man or a letter of introduction. I don’t know if either story actually happened to Woolf – she presents them half factually, half fictionally – but either way, this really struck me. To not be able to walk in the same places or visit the same libraries as other people because of gender! That’s outrageous! I bristled with indignation. I don’t know that I could have stayed calm if I’d been in her place. This made inequality in Woolf’s time far more real to me than any of the things I hear these days.

I like Woolf. I like her ideas about equality. She never once claims women are better than men. She claims equality. She claims the sexes should be equal. One of the things that frustrates me with a huge part of today’s feminism is the inherent assumption that women are better than men. I was never exposed to anyone claiming to be feminist until I went to college. One of the very first girls I met railed against men. She refused to read books written by men. She only listened to music and looked at art by women. She planned to alter her kids’ books to make the woman the hero every time. She believed men had no real purpose and viewed them more like dogs than people, except when it came to her boyfriend, about whom she giggled a lot. She left me with such a bad taste in my mouth that I was vehemently anti-feminist for years. What I realized only later was that I really was a feminist, insomuch as I believed in equality of the sexes. That girl? She was not. She believed in elevation of women and the oppression of men. Really, she was the antithesis of a feminist, whatever she thought. And I like real feminism. Woolf’s feminism. Equality.

Poetry

Woolf makes only one statement in this book I completely disagree with. She claims that because women had less time on their hands than men, they were forced to write novels instead of poetry. That’s why the rare woman that published mostly published novels. She made the assumption that poetry is more difficult and time-consuming to write than novels, and that novels can be written without much thought. I completely disagree with this. I think either form of writing might be easier to an individual, depending on the way they write. I personally find novels easier, because I don’t get along with poetry. I know people who write brilliant poems but can’t put together a short story, much less a novel. I don’t think poetry is intrinsically more valuable than a novel, either, and I certainly don’t think it’s more time-consuming! Everything about these statements is wrong to me.

Androgyny

One interesting point Woolf makes is that in order to be a writer, a person must have an androgynous mind. I love this! I’ve long felt that androgyny makes the most unbiased mindset, the best way to write, the best way to debate, the best way to evaluate. I appreciate people who are more in the middle, gender-wise, than those who are extremely “feminine” or “masculine” in their thoughts and actions. Woolf writes this out far better than I can, so I’m just going to say I love it and encourage you to read it on your own. I wish she’d expanded on it. It was too short.

**
Does the idea of needing money and a room of one’s own hold for our time, nearly 100 years later? I don’t think so, honestly. Sure – time, space, and money would of course help someone wanting to write. Time, space, and money would help anyone! However, it’s not necessary anymore. I’ve been writing since I learned the alphabet. I wrote my first story when I was 6. I wrote in school, hiding my notebook, say, under my desk during Pre-Cal because that was the only time I could squeeze in. I certainly didn’t have any money, time, or space of my own. Everywhere I went, I had distractions (imagine answering calculus problems as you write out a suicide or love scene!). By the time I left college, I already had kids. I wrote my first novel with three toddlers on my lap, aged 5, 3, and 2. Time? No. Space? Definitely not. Money? Yeah, right. And yet I wrote. I’ve kept writing. I published short stories and poems. I’m in the process of getting my latest novel published. Would it have been easier with the advantages Woolf describes? Oh yeah. But I made do, and so have many other writers.

Today, there are women writers everywhere. Sometimes I wonder if there are more female than male writers these days. Completely by accident, I’ve read 46 books by men and 68 by women this year. I doubt all those women have ideal conditions to write in. Perhaps back in Woolf’s day, money and a room of one’s own was essential for a woman to write. Not so much now. I am very thankful for Woolf’s contributions to politics and literature, which helped to give us creative freedom today.

Posted in 2009, Adult, Prose | Tagged , , | 1 Comment

Kissing Kate, by Lauren Myracle

kateLissa and Kate have been best friends for years, but right before their junior year in high school, the two make out at a party, and suddenly Kate acts as if Lissa no longer exists. Lissa is left confused, both about their friendship and about her sexuality, and it takes a new friend and a lot of soul-searching for Lissa to figure out who she is.

This book was not at all what I was expecting. I don’t mean that in a bad way. It was just different. At first, I was a little disappointed because it started off a bit Sweet Valley High-ish. Too much melodrama, not enough depth. Whiny girls complaining about their whiny little problems and treating each other like crap in the meantime. Not interesting. But then, the book sort of morphed into heavier material. Lissa stopped focusing so much on herself, starting seeing things around her, and started facing her problems. The second half of the book was far more interesting and meaningful. I read the book quickly, in a single morning, but afterwards I was left with my thoughts running all over the place. I spent at least half an hour laying down and just thinking about where the book had gone, and what it had said.

And really, all it said was that sexuality is confusing. It isn’t as black and white as people make it out to be. Sure, there are people who are 100% straight or 100% gay. I know people of both categories. But there are people at all shades of grey in between those two points. “Bisexuality” simply doesn’t cover it. It’s confusing, it’s messy, and there are really no answers. In a way, that message saddened me, because sometimes it’s easier to just have an answer, even if that answer is fictional. Sometimes it’s easier to read a book and be comforted and happy, rather than every bit as confused and messy. Kissing Kate didn’t offer any comfort or solution, and it left me wanting to know more, to know what happens to Kate and Lissa in their next year, their next five years. Everything’s left so uncertain, new, and raw, and I want to know what happens next. What happens next, however, is not the point of the book, and I don’t fault it for ending where it did. However, I was in a melancholy mood when I read it, and had hoped this book would cheer me up. Not quite…

But beyond my own whining about wishing for more – which is actually a compliment to the book despite what I may sound like – I really appreciated the realism that broke out of the melodramatic beginning. I appreciated that the straight people had an easier time than the gay people, that some characters chose to run away from their problems, that some never made any decisions at all. That’s what happens in real life. Not pretty, but real. It was refreshing, though at the same time a bit bleak.

I’ll leave you with one of my favorite quotes. It sums up all my babbling above about confusion and sexuality:

“Just because you’re into Kate…well, it doesn’t necessarily mean you’re gay. Although it’s okay if you are. But if that’s what’s worrying you…” [Ariel] sighed. “God. It shouldn’t be so hard to talk about this stuff. All I’m saying is maybe you’re gay and maybe you’re not. Maybe you’re bi. Or maybe it’s totally a Kate thing. Maybe you’d want to be with her whether she was a girl or a boy.”

I blinked. I didn’t know if what she said made things better or worse.

Posted in 2009, Prose, Young Adult | Tagged | Leave a comment

The Trial, by Franz Kafka + graphic novel

kafka_the-trialSpoilers.

Josef K. wakes up on his 30th birthday to find himself arrested. No one will tell him why, and he’s free to go about his own business in the meantime. Over the course of a year, he must defend himself against a high court in a trial that never takes place. He cannot prove he’s innocent, but refuses to admit his guilt, and he can’t accept or understand the legal proceedings he’s subjected to. Each attempt at penetrating the court system or helping his case, he fails, until the finally resigns himself to his fate, and allows two men to drag him off and kill him.

I finished this book a week ago for my book club Saturday, but had no idea what to think about it after I finished. I like Kafka, and know a lot about him and his writing, but for some reason this novella felt incomplete (which, I learned, it was – see the Wikipedia entry for more info). In searching for interpretations online, I found that there was an Orson Welles movie adaptation of the book, as well as a graphic novel version published in 2008. I decided to get both of those and hoped they might help me sort out my thoughts on the book, as well as the book club meeting.

I went to the meeting first, and while I was there, even though no one knew what to say about The Trial, I had a eureka moment. I figured out exactly how I saw the book. Now, granted, this book can be interpreted in a million different ways. It can be a statement about red tape and bureaucracy. It can be a satire of law, which Kafka went to school for. It can be interpreted in classic Kafkaesque religion-conflict, in this case dealing particularly with the Old Testament. It can be make into a statement about sexual sin and/or perversion. Or, also a Kafkaesque interpretation, perhaps it’s about father-son relations. Maybe it’s an almost-dystopian novel, or a statement on societies that arrest people without a formal reason (some of those exist still today).

My eureka moment combined a couple of these, and added an additional flavor. I think the book is about failure, incompetence, and impotence (non-sexual). No matter what K. tries to do, he fails. He can’t discover what they’re accusing him of, nor can he figure out the legal proceedings. When he goes to his interrogation, he’s unable to finish his speech, or to sway anyone with it. He procures useless law help. When he goes to the court offices, the air makes him too sick to stay. He fails to stop a flogging over and over. He fails to retain his clients at work. He works really hard to learn Italian phrases for an important new client, only to find out the man speaks a dialect K. can’t understand. Each time he tries to get with a girl, the attempts fail (in ever more ludicrous ways), and when he finally does get with one, he later discovers she sleeps with all defendants. Even at the end, he knows he should take the knife from his captors and kill himself, but he can’t. Or won’t.

For Kafka, failure was like death. His stories reek of the fear of failing, of never being able to live up to expectations. I felt like The Trial explored the weight of this fear. K. was the ultimate failure. I think he was Kafka’s worst fear, the person he didn’t want to become but saw potential for in himself. I loved the last panel of the graphic novel (transitioning here…), right after K. is killed, which says, “It was as if the shame of it should outlive him.” This went right long with my interpretation.

thetriallargeThe graphic novel, illustrated by Chantal Montellier and adapted/translated by David Zane Mairowitz, is amazing, probably my favorite graphic novel so far. It was very faithful to the text, and helped illuminate parts of the book for me, as well as adding an Old Testament element. As K. is being dragged by the thugs off to his death, he struggles for a bit. It says: “K. was reminded of flies tearing off their legs, trying to escape from fly-paper. … He realized there was no point resisting these men or keeping life going by putting up a struggle.” Once again, K. gives up. He decides to let life happen to him, to refuse to take action. A couple pages later, K. looks up at a house near his death spot and sees a man in the window. He says, “Where is the judge I’ve never seen? Where is the high court I’ve never reached?” This brought the book into a very religious light, with the judge and high court symbolic of God and Heaven. Kafka struggled with the conflict of old and new religion, of Old and New Testament. It’s easy to see The Trial – where every man is inherently guilty, the accusation does not matter – as a manifestation of Old Testament doctrine.

I could go on – I could write papers about this – but I’m trying to keep this short. (Ha!) The graphic novel was beautiful, and Montellier has a gorgeous art style. Her panels are almost Kafkaesque themselves, and suited the book perfectly. I almost feel like this is the media The Trial is most suited to, and wonder what Kafka would think if he could see it.

As for the movie version, I wasn’t real impressed. Maybe it’s because I’d just read two books and gone to a discussion about The Trial, but the movie bored me. It added extra stuff, put things in a different order, and spiced things up. In other words, not very faithful. Visually, it had some interesting effects, especially of the little girls around the painter’s studio, but mostly, I was unimpressed. The acting wasn’t too hot, either. I’m not sure I’m a big fan of Orson Welles. I saw The Third Man and wasn’t impressed with that one, either, so I wonder if it’s just his scripting and directing I don’t like. Besides, I admit that my main interest in the movie was to see if it illuminated a reference my favorite band makes to “the willing Mr. K.” The reference is supposed to have something to do with Kafka, and the band refers often to old B&W films. Alas, it does not seem to be this movie, at least not directly.

Anyway, I thought the graphic novel version was far superior to the movie. I’d go with that one if you’re looking for an adaptation and can’t get through the original book. I actually liked the graphic novel a little bit better than the novella – the novella was just too repetitive and unfinished for me – and am thinking about buying my own copy, it was so good.

Posted in 2009, Adult, Prose, Visual | Tagged , , , , , , , | 4 Comments

Songs of Innocence and Experience, by William Blake

thumbnail.phpSeriously, the apocalypse must be on its way. I just picked up a book of poetry all on my own, without prompting, and read it by choice, rather than by force or coercion. Even more miraculously, I mostly understood what I read, which (when it comes to poetry) is so rare I can probably count on one hand the times that it’s happened in my life. Furthermore, I actually enjoyed the book. So I’m sorry. I know I’ve probably caused the end of the world, but there’s nothing I can do about that now.

Songs if Innocence and Experience are two companion books of poetry that William Blake illustrated and published himself. The version we now own (I had to buy it for Jason after his much-gushing review) has copies of the original illustrations, which contain the poetry. (Almost like a 1700s version of a graphic novel!) On the opposite page, the poetry is typed up for easier reading. The illustrations were probably my favorite part of the book. They were really gorgeous, and at times a bit disturbing. They certainly went well with the poetry.

Innocence:

The book is cut into two sections, and Innocence is the first. Its poetry is light, harmonious, easy to understand, and a little too innocent for my tastes, I admit. I enjoyed this section mostly for its contrast to the poems in Experience, which are often paired, one in each section. One Innocence poem stood out to me, “The Little Boy Lost.”

Father, father, where are you going
O do not walk so fast.
Speak father, speak to your little boy
Or else I shall be lost,

The night was dark no father was there
The child was wet with dew.
The mire was deep, & the child did weep
And away the vapour flew

(Now, lest anyone accuse me of considering this poem too happy and innocent, just know that the next page has “The Little Boy Found,” which completes a happy return to his mother, the boy led by God himself.)

Experience:

These poems are darker, more complicated, and more difficult for me to understand, but on the whole more interesting, especially when compared to their counterparts in Innocence. At least half the poems had an Innocent pair, and my favorite of these was “Nurse’s Song” (same title both places). I also enjoyed “The Tyger,” which one of my favorite bands turned into a song and I just never realized it, and “A Poison Tree,” which discusses how anger left unsaid can grow into something deadly. My favorite of all the Experience poems, however, was “The Human Abstract,” which I also think is a good example of how the poetry contrasts in this section from the first:

Pity would be no more,
If we did not make somebody Poor;
And Mercy no more could be.
If all were as happy as we;

And mutual fear brings peace;
Till the selfish love increase.
Then Cruelty knits a snare,
And spreads his baits with care.

He sits down with holy fears.
And waters the ground with tears:
Then Humility takes its root
Underneath his foot

Soon spreads the dismal shade
Of Mystery over his head;
And the Catterpiller and Fly.
Feed on the Mystery.

And it bears the fruit of Deceit.
Ruddy and sweet to eat:
And the Raven his nest has made
In its thickest shade.

The Gods of the earth and sea,
Sought thro’ Nature to find this Tree
But their search was all in vain:
There grows one in the Human Brain

In the end, I didn’t enjoy this book as much as Jason, who considers it the best book he’s read in the last decade, but for poetry, it was pretty good.

Posted in 2009, Adult, Poetry | Tagged | Leave a comment

Mind-Rain, by Multiple Authors

mind-rainMind-Rain is a collection of essays by various authors about Scott Westerfeld’s Uglies series. It is literary analysis, though not necessarily academic. Some essays were more academic than others. Westerfeld, who edited the book and wrote introductions, also included two short stories with similar themes to Uglies.

It’s particularly difficult to review literary analysis by multiple authors. Instead of talking about each of the essays, I’m just going to hit on a couple I found particularly bad or good.

Bad:

– Best Friends for Never, Robin Wasserman. This essay tells us why Shay is the real hero of the Uglies series, and how horrible Tally (the main character and commonly-considered hero) is. I disagree with everything she said, and it was the only essay in the book that actually made me angry.

Good:

– All that Glitters is Not Hovery, Lili Wilkinson. This essay discusses language development, especially how it applies to the teenage years of life. Fantastic essay. Very insightful.

– Beauty Smackdown, Jeanette Rallison. This discusses the price of striving for beauty, and whether the concept behind the original Uglies world (equalizing beauty for everyone) could be considered good, if you took out the brain damage part. Very interesting discussion. Much to think about.

– Conformity by Design, Linda Gerber. Compares/contrasts American society to Japanese society and peels away the layers of conformity standards. Again, very interesting. Made me think differently.

– Naturally Unnatural, Will Shetterly. This goes over the multiple ways we’ve altered our bodies throughout history to attain “beauty” (think ‘neck rings’ and ‘Mayan head-squishing’) and shows that they aren’t all that different from what’s happening in the Uglies series. Once again, fantastic essay. I learned tons.

As for the short stories:

I loved “The Beautiful People” by Charles Beaumont (published 1952). It had a very “The Cold Equations” sort of feel to it. I believe it’s considered one of the bedrocks of science fiction, and while I’m not generally a fan of traditional science fiction, I’d highly recommend it. It’s very dystopian.

The second story, “Liking What You See: A Documentary” by Ted Chiang, was also interesting, though perhaps because it’s more modern in style and I’m partial to classics, I didn’t like it as much as “The Beautiful People.” I did love the idea of calliagnosia – repressing certain impulses in the brain that measure attractiveness; calliagnosia makes a person unable to determine if someone is attractive or not, while not changing their ability to see or distinguish features. So that’s also a good story to read. **Update: Years later, this particular short story is the only thing I remember from this book at all. It really stuck with me!

My favorite part about this whole book is that there can BE a book of literary analysis for the Uglies series. It shows that while I may have been completely tongue-tied in all my various reviews, there is something (or some things) far deeper than the surface level of these books.

Posted in 2009, Prose, Young Adult | Tagged , | Leave a comment

An Abundance of Katherines, by John Green

150px-An_Abundance_of_Katherines-coverColin Singleton, a child prodigy in the mildest sense (meaning he didn’t grow up to be a genius, though still very smart), has a fetish of sorts about girls named Katherine. He’s only ever dated Katherines, and he’s been dumped by 19 of them. His last failed relationship hit him really hard, so his best friend – an overweight, Muslim funny-man named Hassan – convinces him to set out on a road trip. The two settle in backwoods Tennessee, where, as Hassan puts it, God shakes up the snow globe of the world for them.

Okay, I have to admit, at first I really didn’t like this book. (I know, I know, don’t hit me!) I couldn’t stand Colin, and could see why all the girls kept dumping him. He’s completely socially incompetent, and doesn’t seem to be working too hard to overcome that, not to mention he’s the most self-centered person I’ve ever read about. Hassan isn’t much better. Both of them seemed so much like stereotypes that I had a hard time reading for awhile. I just got really annoyed. However, as the book unfolded and more characters came into the picture, I began to enjoy myself more. Colin became not quite so ridiculously incompetent, and Hassan – around people other than Colin – became a much rounder person. The way they talked to each other alone still bothered me, but when they were with other people, I liked them okay. I can’t say the book was my favorite, but it was captivating and almost sweet by the end.

I guess, here’s my issue: the book tried so hard to be original in concept that it came across as completely unoriginal in my opinion. Colin learns not to be so self-absorbed. Hassan learns he has to do something in life. Lindsay learns she has to be herself. All of these are very simple, very unoriginal ideas. I don’t mind simple, unoriginal ideas!! In fact, I love them. But I don’t like them wrapped up in a “unique” package in order to try to make them feel original. It was all too gimmicky for me, the math and graphs and footnotes and stuff. It felt like Colin was writing the book but putting it in third person so we wouldn’t identify his voice, and I just didn’t like Colin that much. There was too much breaking the fourth wall for a third-person story. It wasn’t badly written, it was just not my type of book. Maybe it’s like my husband said to me about a year ago: “I’m just so tired of clever stories.” Maybe that’s how I feel right now. I don’t hold this against John Green, though, and I’ve been told this isn’t the best one of his to start with, so I’m hoping I like the next one better.

Not really much more for me to say about this book. It was fast, easy to read, and well-written, though not my style. Many people love this a lot more than I do.

Posted in 2009, Prose, Young Adult | Leave a comment

Tender Morsels, by Margo Lanagan

2662169I hardly know what to say about this book. I’m not even going to try to describe the plot. A plot description really doesn’t tell you anything. Each moment of this book illuminated nothing but the moment before it, nothing forward, so that the book was completely unpredictable the entire way through. Nothing I’d read – no review, no book description – prepared me for what I was going to meet at any step of the way. And because I can’t possibly convey to you how beautiful this book is, I’m simply going to take you through my experience of reading it.

I bought Tender Morsels a couple weeks ago. I knew I might meet Margo Lanagan at ALA, and Ana had been talking up this book so much that I finally caved and got it. On the way home, Jason read me the first paragraph, and immediately I was a little nervous about what was coming:

There are plenty would call her a slut for it. Me, I was just glad she had shown me. Now I could get this embarrassment off me. Now I knew what to do when it stuck out its dim one-eyed head.

This was not at all what I expected. I remembered Ana talking about the beautiful prose, the magical quality, the gentleness of the book. After hearing that first paragraph, I admit I was a little embarrassed. I wondered whether I ought to have checked the book out of the library, instead of buying it. But, determined, I plunged forward.

The book has multiple narrators, some first person, some third person, and while that seems to bother some readers, it didn’t bother me. I was certainly glad when the 4-page prologue, a bawdy after-sex scene mixed with mysticism told from the midget Dought’s POV, was over. Unfortunately, it took awhile for the book to move upwards from that – not because I was prejudiced against it, but because of what followed: a semi-descriptive account of a girl abused by her father and forced to abort several fetuses in awful ways. It was uncomfortable. Very, very uncomfortable.

I could only read in small chunks, 30 pages here, 20 pages there, split up over multiple days. Normally I read very fast, but for reasons I’ll illuminate a bit later, this was a slow book for me. That was actually a good thing, because it gave me time to think as I went on. I thought about my discomfort, and understood why it was there. Think, for a moment, about readers back in Thomas Hardy’s writing days. He wrote books from the 1870s to the 1890s, in Britain. Particularly in the 90s, his books became very racy. Tess of the d’Urbervilles implied a rape scene. It made people uncomfortable. A couple years later, he published Jude the Obscure, which I have not read, which I know nothing about except that it made people so uncomfortable that they railed against Hardy as a writer, and he decided never to write another book again (he didn’t in his remaining 33 years). His books, by today’s standards, are extremely tame. The idea of implying a rape in only the vaguest 1800s terms is not very uncomfortable for today’s reader. But people were going to the extreme in Hardy’s case. Jude the Obscure was publicly burned, for instance. I thought about this, I thought about classic authors that burned new pathways through peoples’ discomfort all through history. It made me realize my discomfort was not a bad thing. My discomfort was no different than the 1890s people reading Jude and Tess, both of which I’m glad to have today. Discomfort is sometimes necessary.

Lanagan doesn’t glorify the events at the beginning of this book. The sex, the rape, the abortions. They aren’t gratuitous. They are uncomfortable, oh yes, but that discomfort is necessary to experience everything else that comes after in the book. Once I realized that, I was okay.

I said above it was a slow book, and for me it was. It took me nearly two weeks to read (if I don’t count the 5 days I was in Chicago). If I tried to read the book like any other book, I fumbled and didn’t retain a word. The prose in this book is so thick, so careful, so beautifully written that it DEMANDS attention. For me, at least, it was impossible to read quickly, and I adored it for that quality. I can’t remember the last time a book forced me to slow down. Normally it takes me a day or two to read a novel, unless it’s really boring or…well, like Nabokov, who forces your mind to do backflips while reading (and that doesn’t count). This was neither boring nor acrobatic; it was just slow. Which was perfect.

As the book went on, I felt better and better about it. The scenes with the first bear are some of my favorite in the book. (Yes, I know that makes little sense to those unfamiliar with the plot, but take my word for it, it was very sweet.) I loved the themes that pulled through this book. I loved the idea of the dangers of living in our own personal heaven rather than facing reality. I loved the idea that barriers can be overcome. I loved that love can triumph over fear, that the world is not safe or peaceful, but can still be beautiful. Lastly, I loved that no one was all good. There were some characters who were pretty close to being all bad, but even the people you want to root for with all your heart, the people who think they are doing the best thing for everyone, can turn out to be mistaken, and can accidentally hurt those around them. No one’s perfect. Everyone will break someone’s heart at some point, even if only by accident. It was messy, like life is messy.

I have to admit, near the end of the book, there came a scene that nearly destroyed the book for me. It involves cloth-men, and if you read the book, you’ll know what I’m talking about. I’ve tried to think about that scene as little as possible, because like everything else in the book, it is delicately but forcefully depicted. While Lanagan never goes into detailed specifics of the cloth-men’s crimes, she splashes just enough subtle strokes of description to let your mind fill in the rest, and it was something my mind just didn’t want to see. I have a particular aversion to that sort of crime, and it turned my stomach.

I don’t want that scene to stick with me. I want it to fall away, all 5 pages of it, so that I can keep loving the other 431 pages. If it manages to ebb away in my mind, so that the rest of the book swallows it, this may become one of my favorite books of all time. If it doesn’t, my love will inevitably be tainted. I can’t tell what will happen over the next couple months. I do think that if I didn’t have a particular aversion here, this would not affect me so badly. After all, the crimes at the beginning of the book, which aren’t much different, don’t affect me the same way, and I understand that the latter crimes are meant to create a full-circle fairy-tale-like feel. I understand their purpose in the book, but we all have our weak spots, and this just happens to be one of mine, unfortunately.

That’s my only qualm, though. For the most part, this book is beautiful. Lanagan is a master of writing. Her style is not like Steinbeck, but in reading Tender Morsels, I remembered something my cousin Jen said about The Grapes of Wrath last year: that every single word was carefully thought out and chosen, every word meant something, there was nothing unnecessary in the book’s prose. I feel the same way about Tender Morsels. Even the parts that were ugly and/or uncomfortable didn’t feel unnecessary.

Last thing I’ll mention, and then I’ll end this super-long review. I can’t consider this a Young Adult book. It’s published that way in the US, and received a Printz honor award, but in Australia (where Lanagan is from), it’s published as an adult book, and I think that’s a more appropriate venue. It’s not that I don’t think teenagers can handle subjects like sexual abuse and abortion, that would be silly! It’s just that the tone of the book feels like it’s meant for an older audience in my opinion, though I know others may disagree.

Posted in 2009, Adult, Prose | Tagged , , , | Leave a comment

The Sky Always Hears Me and the Hills Don’t Mind, by Kirstin Cronn-Mills

theskyalwaysMorgan lives in Central Nowhere, Nebraska, where people are “all about family values…but that’s only as long as your family and your values are just like everyone else’s.”** She’s dating a dumb-but-kind football player who bores her, she lusts after an older guy who works at the grocery store with her, and she’s a little nervous about the fact that her neighbor, Tessa, kissed her and she liked it. Add to this an alcohol father, a dead mother, a timid stepmother, and a grandmother who’s the only person Morgan can relate to but who also has a very big secret, and Morgan’s life just keeps spiraling downward. She writes her own fortune cookie messages on the backs of post-it notes to keep her sanity while dealing with everything going on around her, and pines to get away from Central Nowhere.

I was very lucky to get a hold of this book. When I read Kristin’s review back in May, this book went immediately to my to-read list and I’ve itched for it ever since. When I saw it at the Llewellyn booth at ALA, I was so excited, and then I was told they no longer had any copies of it except the display. Because I wanted it so much, one of the men there promised the display copy to me if I came back late Monday. I did, and he did. So lucky! I publicly thank both guys who manned the booth for their generosity!

I read the book on the way back to San Antonio. It didn’t disappoint. It’s interesting, because Morgan has a distinct 16-yr-old voice, and gabbled some pretty inane things – however, when it all comes out, she said very important things through the gabbling. Of course, the book addresses some issues that are very important to me. One of the major themes is how homosexuals (and other people who are different) are treated in backwoods areas. This tiny, conservative town is nasty towards Tessa and everyone else they think is gay. One character I really liked a lot went the whole book as a good person, until popping out with, “That’s just wrong. … It’s sick…against nature.”** Oh, I hated that character after that, especially when he claimed “having an open mind meant” accepting that he couldn’t accept homosexuality. Yes, openmindedness definitely means accepting discrimination without question…grr.

The other thing that really struck me about this book was Morgan’s struggle with her own sexuality. She really enjoyed kissing Tessa, but doesn’t have any desire to repeat the experience. She really does lust after guys. No one knows Tessa kissed her, but because Tessa has an obvious crush on her, they assume Morgan’s a lesbian, too, and she’s harassed at school. She begins to question her sexuality, and has to come to realize that it’s attraction that determines sexuality, not actions. I love that message. There are plenty of gay people in the world in straight marriages, having kids, denying their sexuality. There are probably straight people in gay relationships doing the same thing, though probably not as often. It really bothers me when people think sexuality is determined by action, because it’s not. It’s determined by attraction, a very intangible thing that can’t be controlled.

I don’t want to give the impression that the book is entirely about sexuality. I actually expected there to be more of that from the descriptions I read, but probably only a third of the book focused on that. There were many other focuses, but that’s the thing that stood out to me, personally, the most.

**Note: These quotes are from an Uncorrected Advanced Proof, and don’t necessarily reflect what the final quotes will be. Reading a UAP was an interesting experience. There were copyediting errors that will be corrected before the final printing, and in one part there were even instructions about how to handle a specific section in the final copy! I loved that! Since I’m trying to publish my own book, it was an interesting insight into the publishing process. I do think I’ll get a final-version copy when it comes out, so I can reread it with all the changes and corrections. I’ll probably wait until it’s in paperback, though, since I like that better and am no longer in any sort of rush.

Posted in 2009, Prose, Young Adult | Tagged | Leave a comment

Kin, by Holly Black

kin-the-good-neighbor-by-holly-blackWhile Tithe by Holly Black wasn’t my favorite book, I decided to give her another chance with this graphic novel. I had about an hour of downtime at ALA while waiting for my friend Debye, plus my feet were killing me, so I opened up this book. It’s about a girl whose mother has disappeared and whose father is very depressed, and who begins to see fairies, though she doesn’t realize it at first. First she just thinks she’s having hallucinations. Over time, she discovers secrets about her parents and several other characters, and sets on a journey to learn about herself. This is the first book in a trilogy, I believe.

This was pretty good. I enjoyed it far more than Tithe. The artwork was nice, the plot was fairly straightforward, though there were some confusing parts. It’s likely those confusing parts were because I was reading it through quickly while a million people talked around me. It’s a book I’ll want to read a second time, more slowly, to soak in all the details of plot and picture. There was also a lot of fairy folklore in here and from what I know, it seemed pretty in line with traditional mythology, so it felt well-researched. It read almost like a fairy-fable, like the swan wife tale. That sort of thing.

Posted in 2009, Visual, Young Adult | Tagged | Leave a comment

Reincarnation, by Suzanne Weyn

reincarnation-suzanne-weyn-book-cover-artIf you are found worthy you will go directly to the next world. If not, you may have to return to this one to acquire further enlightenment.

…The unraveling is the journey.

Four souls, locked in a love-quadrangle fraught with jealousy, dishonesty, and mistrust, live life after life through history, trying to fulfill their true destinies. Fate keeps bringing them together. Circumstance keeps pulling them apart.

I have a confession to make: My review here will be less than reliable. I read the book’s jacket cover description at Reading Rocks, and knew immediately this book had the potential to become my favorite book of all time, ousting AS Byatt’s Possession, which has held the #1 spot for over 7 years. The idea of two souls trapped by fate, living life after life, trying to make things right, is an extremely important one to me, and intensely personal. This is a story I’ve wanted to write for more than a decade now, a story I know I will never be able to write, because I am just too invested to do it justice. I would fail, miserably, and I can’t bear to fail something so beautiful. So, when I read the above review last night, I knew I had to get the book immediately. I prayed it was already released, then that my library system owned it, then that there was a copy at my branch, and lastly that it was not checked out. Relief flowed through me as I searched – all four were true. I went immediately to the library and checked it out, shoving all in-progress books to the side in order to give myself up to this one.

The story’s idea, of course, would get a 5++ in my book. That much is obvious. Because of how important this idea is to me, I was also predisposed to look at the book favorably. At the same time, the slightest problem would cause severe disappointment, creating an easy road toward a 1-Star rating. I’ve settled on 3 Stars. If the idea hadn’t been a 5++ to begin with, I might have given the book 4. But even that, you have to take with a grain of salt.

It’s very hard for me to review this from an unbiased standpoint, so with everything I’ve already said, I’m just going to explain why Reincarnation did NOT become my all-time favorite book. Concisely, it was just too simple. That’s not necessarily bad, but I wanted something far more in depth, far more subtle, with undercurrents and a prism of symbols to dissect, more like there is in Possession (another intensely personal story for me, on a related theme). This is one book that I think I would have preferred to NOT be YA. I wanted more academic writing, a far longer book, a sharper drawing of characters. While it was obvious Weyn did a lot of research for the various historical settings, I wanted more, much more, from this as well. I had trouble connecting with the characters because everything passed so quickly. Each life was so short. I didn’t have time to connect before they began the cycle again. I needed it to slow down, to linger. In short, it…just wasn’t what I was hoping for.

That doesn’t make it a bad book!! Again, if I had not been going into it with certain expectations, I probably would have enjoyed it a lot. It was mostly well written (only problems were some stilted dialog, and a couple places where it felt like the author’s voice instead of the characters’), and by the end, it really touched me. But…but…yeah. It was good, but it was not super-great, and without super-greatness, for me it could only be mediocre. Sorry.

On the other hand, the last time I got my hopes up about a similar idea was when the movie The Fountain came out. In that case, I was not only disappointed, but disgusted to the point of laughing the whole time in the theatre. Sorry to anyone who liked it, but wow, I thought that was a horrible movie, and it was not at all what I expected. On the other hand, Reincarnation was, plot-wise, exactly what I expected, and that’s why it doesn’t get 1 or 2 Stars on the scale. I just wish that it had felt less like the skeleton of a great work and more like a great work already. I’m still looking for the perfect book about reincarnation and soulmates.

Posted in 2009, Prose, Young Adult | Tagged , | 2 Comments