East of Eden, by John Steinbeck

4406East of Eden is too gigantic and un-plot-based to really have a synopsis. I suppose I can say it follows the sometimes-intertwined lives of the Trask family and the Hamilton family for many years, mostly in the Salinas Valley in California. Part of it is a fictionalization of Steinbeck’s family history (he even makes an appearance a few times, both in first and third person), and part of it is allegorical. The Hamilton side was based on Steinbeck’s family; the Trask side retold the stories of Adam and Eve and Cain and Abel. Supposedly, Steinbeck considered this his masterpiece.

There is too much in this book to even begin to talk about everything, so instead of trying to, I’m just going to jot down some brief thoughts and feelings that came to me over the two months that I’ve been reading this. First, Steinbeck is a master of characterization. I feel like I know every single one of these characters as if I’d met them in real life. When they were sick, dying, happy, sad, excited – I felt it all with them. I came to care about all of them, even Cathy, which leads me to:

Second, Cathy Ames is probably the best written villain I’ve ever read, right up there with Humbert Humbert from Lolita. At her finest, she made me squirm. Her crimes were uncomfortably visceral – knitting needles and crochet hooks and ammonia (shudder) – and it doesn’t surprise me that critics rebelled against her when this was published in the early 50s. I’m actually a bit surprised Steinbeck got away with writing/publishing some of the things she did.

Third, I love what Steinbeck did with Lee’s character. Lee’s a Chinese-American who is the butt of severe discrimination. No one will listen to him or trust him if he speaks English, so he has to speak that awful pidgin stuff, and they call him awful stereotypical names like “Ching Chong.” Laugh at me if you want, but I was reminded of Amos Diggery in the fourth Harry Potter book, when he refuses to call Winky the house-elf by her name, and instead addresses her as “Elf” every time. That sort of discrimination, the refusal to see someone as a real person because they’re different from you, really upsets me. I’m happy Steinbeck did Lee’s character justice. He proves himself invaluable and probably the smartest person in the book by the end.

Fourth, the allegorical stuff, particularly surrounding Cal and Aron (Cain and Abel), was a little overdone. When Adam asked Cal where Aron was, and Cal said, “How do I know? Am I supposed to look after him?” I groaned just a little bit. I felt like there was a big neon sign pointing to the line and saying, “Hey! Look! Did you see it? Biblical reference here!!” I think the allegory would have been much more effective had it not been so blatant at times. It was this heavyhandedness and some longwindedness in places that made this book fall below The Grapes of Wrath for me. I think Grapes was a better book.

That’s not to say East of Eden is bad. It’s excellent, it’s beautifully written, and it was well worth the time I spent. I won’t forget it easily. I want to end with my favorite quote, something Lee says about American culture which I think is so relevant today it’s haunting:

We all have our heritage, no matter what old land our fathers left. All colors and blends of Americans have somewhat the same tendencies. It’s a breed–selected out by accident. And so we’re overbrave and overfearful–we’re kind and cruel as children. We’re overfriendly and at the same time frightened of strangers. We boast and are impressed. We’re oversentimental and realistic. We are mundane and materialistic–and do you know of any other nation that acts for ideals? We eat too much. We have no taste, no sense of proportion. We throw our energy about like waste.

Has anyone ever read a better description of American culture? I was completely blown away by that passage.

Posted in 2009, Adult, Prose | Tagged , , , , | 1 Comment

Protected: Saving Zoe, by Alyson Noel

This content is password-protected. To view it, please enter the password below.

Posted in 2009, Prose, Young Adult | Enter your password to view comments.

Pedro and Me, by Judd Winick

coverThis graphic novel is about Pedro Zamora, a gay Cuban immigrant who contracted HIV at age 17, became an public speaker about AIDS, and died at age 22. He and the author, Judd Winick, were roommates on The Real World on MTV. They also became good friends. This book was Winick’s way of saying thank you, of honoring Pedro and getting his story out.

I never watched The Real World, or really MTV much at all. I didn’t know Pedro, though I think I vaguely remember people talking about him. However, his story was really touching. I teared up several times reading this graphic novel. For someone I didn’t know, it’s amazing how sad I felt as he struggled, as everyone around him struggled.

Pedro was an amazing person. He did so much to educate people about AIDS. He taught facts and dispelled myths. More than that, he stood up and showed everyone that being a gay man or being a person with AIDS was not a stereotype. He was human. He was real. People saw him instead of a fear, and they came to understand. He reached millions of lives, and has probably saved quite a few, too, by spreading knowledge and education. He is an inspiration. I’m so glad to have read about him.

Posted in 2009, Visual, Young Adult | Tagged , , | Leave a comment

Crossed Wires, by Rosy Thornton

crossed-wiresMina is a 27-yr-old single mom caring for her 10-yr-old bookworm daughter and her (Mina’s) 17-yr-old juvenile delinquent sister. She works at an auto insurance call center, and hasn’t thought about romance in a long time. Peter is also a single parent, taking care of 9-yr-old twins with the on-and-off help of some neighbors and his broke research student. When Peter gets into a couple car accidents late in the summer, he calls up Mina’s insurance agency for help. Neither of them expect that in the next year, their conversations will blossom into a long distance, over-the-phone friendship that slowly moves towards love.

I first saw this book on The Book Bundle, where my friend Emily was offering a copy in a giveaway. I didn’t win the giveaway, but not long after, Ms. Thornton contacted me and asked if she could send me a copy to read and review, and I accepted. I’m so glad she contacted me, because I ended up enjoying this far more than I expected. In general, I’m a bit leery of romance, because it has a tendency to end up unbelievable and/or trashy. Thankfully, Crossed Wires was neither of those things. Its characters were so real and so easy to relate to. The romance was very Austenesque – not in writing style, but in the timing. It was slow, careful, and deliberate. No trashiness at all. I loved that.

Perhaps I’m a bit biased. I just love the idea of two people falling in love through a series of phone calls without ever having met. My husband and I met through phone calls and email and didn’t meet in person for two months. Neither of us knew what the other looked like: he pictured me as a redheaded Molly Ringwald type, and I thought he was blond. It didn’t matter what we looked like, though; we fell in love through words, and it’s really special to me that we did. That’s why I wanted to read the book in the first place, and Thornton didn’t disappoint me at all. Her characters went through the same sort of thing, imagining each other wrongly, trying to figure out the other’s circumstances through offhand comments and such. It was wonderful.

I want to tell you the book is not as frilly as the cover might indicate. I think the cover is a little frivolous for the story, actually, but maybe marketing-wise that’ll help it sell better. I don’t know. It’s certainly not something I would have picked up on the cover alone, and the story was not at all what I expected from it. It wasn’t dark and depressing, but it wasn’t a bubbling happy either. It had its slow romance, and it had real world issues, too: the trials of being a single parent, death and grieving, dysfunctional families, prejudice against Irish travelers, poverty, social customs, and mundane every-day life. It was realism in the best way, not gritty, not boring, but not shying away from the world either. So don’t judge on the cover, because the cover’s not really representative of how deep this is.

My only quibble with the book itself is that some of the transitions seemed really abrupt to me. A couple of times I was jarred because it felt like a paragraph or two were missing. Part of that, I admit, may just be my ignorance of British writing/speaking style. There were a lot of British stylistic things I had to get used to. I’ve read a lot of British literature, but 95% of it is old classics, and the other 5% probably mainly consists of Harry Potter, which has been Americanized on the way over. Brand names, phrasing, vocabulary, etc – much of it was new. Despite the transition issues, I loved most of the British-isms. It really transported me to a different world. I know the UK is not extremely different from the US but it was different enough for me to feel like I was vacationing a bit.

Originally, I was going to give this book away after I read it. I felt like I needed to help it get out into the world and get more face- and blog-time. It deserves to be read. However, I loved it too much. I can’t give it away. I’m sorry. I want to keep it.

Note: This book was reread and re-reviewed in 2010.

Posted in 2009, Adult, Prose | Tagged , , | 2 Comments

And Tango Makes Three, by Justin Richardson

And Tango Makes ThreeRoy and Silo are two male penguins at the Central Park Zoo who became a couple. They bonded the same way a male and female penguin normally do. They made their own nesting area, and they tried to hatch egg-sized rocks the way other penguin couples around them were hatching eggs. When one couple couldn’t take care of its second fertilized egg, it was given to Roy and Silo. They took turns sitting on the egg and caring for it until a baby penguin, Tango, hatched. The two have continued to raise Tango, and the three live as a family in the zoo just like all the other penguin families.

And Tango Makes Three by Justin Richardson and Peter Parnell is a children’s picture book about this penguin family. Normally, I wouldn’t review a picture book, but this one is special, and I felt like I should review it despite that not being the norm for me. This is one of the most widely challenged books in libraries and has been for several years. Why? Because it talks about a well-adjusted homosexual animal family. It’s nonfiction, which makes it even worse in the eyes of some people. People don’t want to face the fact that homosexuality does indeed occur in animals (this isn’t the only documented instance). Because it’s a children’s book, they’re afraid their children might see it and get the idea that homosexuality is okay.

The book is adorable. This penguin couple is so cute, and their “sexuality” doesn’t really matter at all. They’re just two parents who adopt a baby penguin that another couple can’t take care of. There’s a lot of love, it celebrates family, and for goodness sake it’s nonfiction! It’s not like somebody wrote a fictional penguin story to advocate homosexuality or something! I’m sorry, but I can’t see a factual children’s book as being “morally wrong.” Are the penguins in the Central Park Zoo morally wrong? Should we just hush them up, separate them, and pretend they never bonded? Come on!

I plan to let all three of my kids read this. Already I had a great experience with my oldest (age 8). He asked what was so special about this book. It’s not often they see Mom reading picture books. I said many people wanted it to be taken out of libraries, and he asked why. I told him because it had two boy penguins raising their baby, and he said, “Gay penguins? What’s wrong with that?” I am so, so proud. I can’t say how proud I am of him.

Maybe it’s this reaction from kids that people worry about. That the kids will look at these gay penguins and think, “What’s wrong with that?” But this book is fact! It’s not fiction! If a kid sees it and his parents don’t like that, they can just say it’s wrong for two boy penguins to be together, the same way they tell the kid it’s wrong for two boy people to be together. Then the kid will know that the penguins are sinful or unnatural and that’ll be that. Do I sound a bit sarcastic here? I’m sure I do. I can see why people don’t want to deal with this book. Their arguments just sound silly in the face of nature.

Anyway, it was a wonderful book, such a cute story, and it takes a much shorter time to read than this review. I encourage everyone to support it, and your local library. 🙂

Posted in 2009, Children's, Visual | Tagged , | Leave a comment

A Room of One’s Own, by Virginia Woolf

roomA Room of One’s Own is adapted from a series of lectures Virginia Woolf gave on the topic of “Women and Fiction.” In them, she concludes that in order for a woman to write, she must have money and a room of her own. She looks back through the history of women and their rights (or, more correctly, lack of rights), and tries to sort through why so few women ever wrote books and poetry, when so many men did. This was her conclusion. A woman needed money in order to become educated and self-sufficient, and she needed her own space in order to escape from the many distractions women were burdened with.

I don’t think I got as much out of this book as I could have. It was difficult for me to read, and I kept thinking it would be so much easier to understand if I could listen to it. Unfortunately, the library system in San Antonio doesn’t have a single copy of the audio version of A Room of One’s Own, so I read it in print the best I could and doubt I caught more than a 10th of what it contained. I also think I would have liked the book better in audio. It feels spoken. However, even that 10th contained some important things, so I’m going to pull out what I gleaned from one of Virginia Woolf’s most famous contributions to literature.

Equality

Everyone knows the stories of women with no rights, subservient and oppressed. They know it from their own ancestors 100+ years ago. They know it in today’s world from certain countries. They hear about the struggles of women to gain the right to work, to vote, to hold property, to wear pants, to obtain birth control. I’ve heard these things so many times that in some ways, I’ve become desensitized. What happened to my ancestors is bad, but right now, right here, I think there’s a lot more equality, and whatever tips the scales against women in the Western world is balanced by the things that tip the scales against men. It’s not perfect on either side, but it’s so much better than even just 30 years ago. It’s hard for me to think of myself as oppressed. I can’t think of myself as oppressed. I’m not. Not at all. And no one’s ever made me feel that way.

While Woolf talks about the things you always hear, she also gave two examples in this book that really blew me away. They were inequalities unfathomable to me because they were so minor and yet so symbolically powerful. She tells how she was walking on the grass at a university, when a guard came up to her to explain that only fellows were allowed on the grass. Women had to stay on the pathways. A bit later, she went to a university library, and was denied entry because a woman can only be admitted with a man or a letter of introduction. I don’t know if either story actually happened to Woolf – she presents them half factually, half fictionally – but either way, this really struck me. To not be able to walk in the same places or visit the same libraries as other people because of gender! That’s outrageous! I bristled with indignation. I don’t know that I could have stayed calm if I’d been in her place. This made inequality in Woolf’s time far more real to me than any of the things I hear these days.

I like Woolf. I like her ideas about equality. She never once claims women are better than men. She claims equality. She claims the sexes should be equal. One of the things that frustrates me with a huge part of today’s feminism is the inherent assumption that women are better than men. I was never exposed to anyone claiming to be feminist until I went to college. One of the very first girls I met railed against men. She refused to read books written by men. She only listened to music and looked at art by women. She planned to alter her kids’ books to make the woman the hero every time. She believed men had no real purpose and viewed them more like dogs than people, except when it came to her boyfriend, about whom she giggled a lot. She left me with such a bad taste in my mouth that I was vehemently anti-feminist for years. What I realized only later was that I really was a feminist, insomuch as I believed in equality of the sexes. That girl? She was not. She believed in elevation of women and the oppression of men. Really, she was the antithesis of a feminist, whatever she thought. And I like real feminism. Woolf’s feminism. Equality.

Poetry

Woolf makes only one statement in this book I completely disagree with. She claims that because women had less time on their hands than men, they were forced to write novels instead of poetry. That’s why the rare woman that published mostly published novels. She made the assumption that poetry is more difficult and time-consuming to write than novels, and that novels can be written without much thought. I completely disagree with this. I think either form of writing might be easier to an individual, depending on the way they write. I personally find novels easier, because I don’t get along with poetry. I know people who write brilliant poems but can’t put together a short story, much less a novel. I don’t think poetry is intrinsically more valuable than a novel, either, and I certainly don’t think it’s more time-consuming! Everything about these statements is wrong to me.

Androgyny

One interesting point Woolf makes is that in order to be a writer, a person must have an androgynous mind. I love this! I’ve long felt that androgyny makes the most unbiased mindset, the best way to write, the best way to debate, the best way to evaluate. I appreciate people who are more in the middle, gender-wise, than those who are extremely “feminine” or “masculine” in their thoughts and actions. Woolf writes this out far better than I can, so I’m just going to say I love it and encourage you to read it on your own. I wish she’d expanded on it. It was too short.

**
Does the idea of needing money and a room of one’s own hold for our time, nearly 100 years later? I don’t think so, honestly. Sure – time, space, and money would of course help someone wanting to write. Time, space, and money would help anyone! However, it’s not necessary anymore. I’ve been writing since I learned the alphabet. I wrote my first story when I was 6. I wrote in school, hiding my notebook, say, under my desk during Pre-Cal because that was the only time I could squeeze in. I certainly didn’t have any money, time, or space of my own. Everywhere I went, I had distractions (imagine answering calculus problems as you write out a suicide or love scene!). By the time I left college, I already had kids. I wrote my first novel with three toddlers on my lap, aged 5, 3, and 2. Time? No. Space? Definitely not. Money? Yeah, right. And yet I wrote. I’ve kept writing. I published short stories and poems. I’m in the process of getting my latest novel published. Would it have been easier with the advantages Woolf describes? Oh yeah. But I made do, and so have many other writers.

Today, there are women writers everywhere. Sometimes I wonder if there are more female than male writers these days. Completely by accident, I’ve read 46 books by men and 68 by women this year. I doubt all those women have ideal conditions to write in. Perhaps back in Woolf’s day, money and a room of one’s own was essential for a woman to write. Not so much now. I am very thankful for Woolf’s contributions to politics and literature, which helped to give us creative freedom today.

Posted in 2009, Adult, Prose | Tagged , , | 1 Comment

Kissing Kate, by Lauren Myracle

kateLissa and Kate have been best friends for years, but right before their junior year in high school, the two make out at a party, and suddenly Kate acts as if Lissa no longer exists. Lissa is left confused, both about their friendship and about her sexuality, and it takes a new friend and a lot of soul-searching for Lissa to figure out who she is.

This book was not at all what I was expecting. I don’t mean that in a bad way. It was just different. At first, I was a little disappointed because it started off a bit Sweet Valley High-ish. Too much melodrama, not enough depth. Whiny girls complaining about their whiny little problems and treating each other like crap in the meantime. Not interesting. But then, the book sort of morphed into heavier material. Lissa stopped focusing so much on herself, starting seeing things around her, and started facing her problems. The second half of the book was far more interesting and meaningful. I read the book quickly, in a single morning, but afterwards I was left with my thoughts running all over the place. I spent at least half an hour laying down and just thinking about where the book had gone, and what it had said.

And really, all it said was that sexuality is confusing. It isn’t as black and white as people make it out to be. Sure, there are people who are 100% straight or 100% gay. I know people of both categories. But there are people at all shades of grey in between those two points. “Bisexuality” simply doesn’t cover it. It’s confusing, it’s messy, and there are really no answers. In a way, that message saddened me, because sometimes it’s easier to just have an answer, even if that answer is fictional. Sometimes it’s easier to read a book and be comforted and happy, rather than every bit as confused and messy. Kissing Kate didn’t offer any comfort or solution, and it left me wanting to know more, to know what happens to Kate and Lissa in their next year, their next five years. Everything’s left so uncertain, new, and raw, and I want to know what happens next. What happens next, however, is not the point of the book, and I don’t fault it for ending where it did. However, I was in a melancholy mood when I read it, and had hoped this book would cheer me up. Not quite…

But beyond my own whining about wishing for more – which is actually a compliment to the book despite what I may sound like – I really appreciated the realism that broke out of the melodramatic beginning. I appreciated that the straight people had an easier time than the gay people, that some characters chose to run away from their problems, that some never made any decisions at all. That’s what happens in real life. Not pretty, but real. It was refreshing, though at the same time a bit bleak.

I’ll leave you with one of my favorite quotes. It sums up all my babbling above about confusion and sexuality:

“Just because you’re into Kate…well, it doesn’t necessarily mean you’re gay. Although it’s okay if you are. But if that’s what’s worrying you…” [Ariel] sighed. “God. It shouldn’t be so hard to talk about this stuff. All I’m saying is maybe you’re gay and maybe you’re not. Maybe you’re bi. Or maybe it’s totally a Kate thing. Maybe you’d want to be with her whether she was a girl or a boy.”

I blinked. I didn’t know if what she said made things better or worse.

Posted in 2009, Prose, Young Adult | Tagged | Leave a comment

The Trial, by Franz Kafka + graphic novel

kafka_the-trialSpoilers.

Josef K. wakes up on his 30th birthday to find himself arrested. No one will tell him why, and he’s free to go about his own business in the meantime. Over the course of a year, he must defend himself against a high court in a trial that never takes place. He cannot prove he’s innocent, but refuses to admit his guilt, and he can’t accept or understand the legal proceedings he’s subjected to. Each attempt at penetrating the court system or helping his case, he fails, until the finally resigns himself to his fate, and allows two men to drag him off and kill him.

I finished this book a week ago for my book club Saturday, but had no idea what to think about it after I finished. I like Kafka, and know a lot about him and his writing, but for some reason this novella felt incomplete (which, I learned, it was – see the Wikipedia entry for more info). In searching for interpretations online, I found that there was an Orson Welles movie adaptation of the book, as well as a graphic novel version published in 2008. I decided to get both of those and hoped they might help me sort out my thoughts on the book, as well as the book club meeting.

I went to the meeting first, and while I was there, even though no one knew what to say about The Trial, I had a eureka moment. I figured out exactly how I saw the book. Now, granted, this book can be interpreted in a million different ways. It can be a statement about red tape and bureaucracy. It can be a satire of law, which Kafka went to school for. It can be interpreted in classic Kafkaesque religion-conflict, in this case dealing particularly with the Old Testament. It can be make into a statement about sexual sin and/or perversion. Or, also a Kafkaesque interpretation, perhaps it’s about father-son relations. Maybe it’s an almost-dystopian novel, or a statement on societies that arrest people without a formal reason (some of those exist still today).

My eureka moment combined a couple of these, and added an additional flavor. I think the book is about failure, incompetence, and impotence (non-sexual). No matter what K. tries to do, he fails. He can’t discover what they’re accusing him of, nor can he figure out the legal proceedings. When he goes to his interrogation, he’s unable to finish his speech, or to sway anyone with it. He procures useless law help. When he goes to the court offices, the air makes him too sick to stay. He fails to stop a flogging over and over. He fails to retain his clients at work. He works really hard to learn Italian phrases for an important new client, only to find out the man speaks a dialect K. can’t understand. Each time he tries to get with a girl, the attempts fail (in ever more ludicrous ways), and when he finally does get with one, he later discovers she sleeps with all defendants. Even at the end, he knows he should take the knife from his captors and kill himself, but he can’t. Or won’t.

For Kafka, failure was like death. His stories reek of the fear of failing, of never being able to live up to expectations. I felt like The Trial explored the weight of this fear. K. was the ultimate failure. I think he was Kafka’s worst fear, the person he didn’t want to become but saw potential for in himself. I loved the last panel of the graphic novel (transitioning here…), right after K. is killed, which says, “It was as if the shame of it should outlive him.” This went right long with my interpretation.

thetriallargeThe graphic novel, illustrated by Chantal Montellier and adapted/translated by David Zane Mairowitz, is amazing, probably my favorite graphic novel so far. It was very faithful to the text, and helped illuminate parts of the book for me, as well as adding an Old Testament element. As K. is being dragged by the thugs off to his death, he struggles for a bit. It says: “K. was reminded of flies tearing off their legs, trying to escape from fly-paper. … He realized there was no point resisting these men or keeping life going by putting up a struggle.” Once again, K. gives up. He decides to let life happen to him, to refuse to take action. A couple pages later, K. looks up at a house near his death spot and sees a man in the window. He says, “Where is the judge I’ve never seen? Where is the high court I’ve never reached?” This brought the book into a very religious light, with the judge and high court symbolic of God and Heaven. Kafka struggled with the conflict of old and new religion, of Old and New Testament. It’s easy to see The Trial – where every man is inherently guilty, the accusation does not matter – as a manifestation of Old Testament doctrine.

I could go on – I could write papers about this – but I’m trying to keep this short. (Ha!) The graphic novel was beautiful, and Montellier has a gorgeous art style. Her panels are almost Kafkaesque themselves, and suited the book perfectly. I almost feel like this is the media The Trial is most suited to, and wonder what Kafka would think if he could see it.

As for the movie version, I wasn’t real impressed. Maybe it’s because I’d just read two books and gone to a discussion about The Trial, but the movie bored me. It added extra stuff, put things in a different order, and spiced things up. In other words, not very faithful. Visually, it had some interesting effects, especially of the little girls around the painter’s studio, but mostly, I was unimpressed. The acting wasn’t too hot, either. I’m not sure I’m a big fan of Orson Welles. I saw The Third Man and wasn’t impressed with that one, either, so I wonder if it’s just his scripting and directing I don’t like. Besides, I admit that my main interest in the movie was to see if it illuminated a reference my favorite band makes to “the willing Mr. K.” The reference is supposed to have something to do with Kafka, and the band refers often to old B&W films. Alas, it does not seem to be this movie, at least not directly.

Anyway, I thought the graphic novel version was far superior to the movie. I’d go with that one if you’re looking for an adaptation and can’t get through the original book. I actually liked the graphic novel a little bit better than the novella – the novella was just too repetitive and unfinished for me – and am thinking about buying my own copy, it was so good.

Posted in 2009, Adult, Prose, Visual | Tagged , , , , , , , | 4 Comments

Songs of Innocence and Experience, by William Blake

thumbnail.phpSeriously, the apocalypse must be on its way. I just picked up a book of poetry all on my own, without prompting, and read it by choice, rather than by force or coercion. Even more miraculously, I mostly understood what I read, which (when it comes to poetry) is so rare I can probably count on one hand the times that it’s happened in my life. Furthermore, I actually enjoyed the book. So I’m sorry. I know I’ve probably caused the end of the world, but there’s nothing I can do about that now.

Songs if Innocence and Experience are two companion books of poetry that William Blake illustrated and published himself. The version we now own (I had to buy it for Jason after his much-gushing review) has copies of the original illustrations, which contain the poetry. (Almost like a 1700s version of a graphic novel!) On the opposite page, the poetry is typed up for easier reading. The illustrations were probably my favorite part of the book. They were really gorgeous, and at times a bit disturbing. They certainly went well with the poetry.

Innocence:

The book is cut into two sections, and Innocence is the first. Its poetry is light, harmonious, easy to understand, and a little too innocent for my tastes, I admit. I enjoyed this section mostly for its contrast to the poems in Experience, which are often paired, one in each section. One Innocence poem stood out to me, “The Little Boy Lost.”

Father, father, where are you going
O do not walk so fast.
Speak father, speak to your little boy
Or else I shall be lost,

The night was dark no father was there
The child was wet with dew.
The mire was deep, & the child did weep
And away the vapour flew

(Now, lest anyone accuse me of considering this poem too happy and innocent, just know that the next page has “The Little Boy Found,” which completes a happy return to his mother, the boy led by God himself.)

Experience:

These poems are darker, more complicated, and more difficult for me to understand, but on the whole more interesting, especially when compared to their counterparts in Innocence. At least half the poems had an Innocent pair, and my favorite of these was “Nurse’s Song” (same title both places). I also enjoyed “The Tyger,” which one of my favorite bands turned into a song and I just never realized it, and “A Poison Tree,” which discusses how anger left unsaid can grow into something deadly. My favorite of all the Experience poems, however, was “The Human Abstract,” which I also think is a good example of how the poetry contrasts in this section from the first:

Pity would be no more,
If we did not make somebody Poor;
And Mercy no more could be.
If all were as happy as we;

And mutual fear brings peace;
Till the selfish love increase.
Then Cruelty knits a snare,
And spreads his baits with care.

He sits down with holy fears.
And waters the ground with tears:
Then Humility takes its root
Underneath his foot

Soon spreads the dismal shade
Of Mystery over his head;
And the Catterpiller and Fly.
Feed on the Mystery.

And it bears the fruit of Deceit.
Ruddy and sweet to eat:
And the Raven his nest has made
In its thickest shade.

The Gods of the earth and sea,
Sought thro’ Nature to find this Tree
But their search was all in vain:
There grows one in the Human Brain

In the end, I didn’t enjoy this book as much as Jason, who considers it the best book he’s read in the last decade, but for poetry, it was pretty good.

Posted in 2009, Adult, Poetry | Tagged | Leave a comment

Mind-Rain, by Multiple Authors

mind-rainMind-Rain is a collection of essays by various authors about Scott Westerfeld’s Uglies series. It is literary analysis, though not necessarily academic. Some essays were more academic than others. Westerfeld, who edited the book and wrote introductions, also included two short stories with similar themes to Uglies.

It’s particularly difficult to review literary analysis by multiple authors. Instead of talking about each of the essays, I’m just going to hit on a couple I found particularly bad or good.

Bad:

– Best Friends for Never, Robin Wasserman. This essay tells us why Shay is the real hero of the Uglies series, and how horrible Tally (the main character and commonly-considered hero) is. I disagree with everything she said, and it was the only essay in the book that actually made me angry.

Good:

– All that Glitters is Not Hovery, Lili Wilkinson. This essay discusses language development, especially how it applies to the teenage years of life. Fantastic essay. Very insightful.

– Beauty Smackdown, Jeanette Rallison. This discusses the price of striving for beauty, and whether the concept behind the original Uglies world (equalizing beauty for everyone) could be considered good, if you took out the brain damage part. Very interesting discussion. Much to think about.

– Conformity by Design, Linda Gerber. Compares/contrasts American society to Japanese society and peels away the layers of conformity standards. Again, very interesting. Made me think differently.

– Naturally Unnatural, Will Shetterly. This goes over the multiple ways we’ve altered our bodies throughout history to attain “beauty” (think ‘neck rings’ and ‘Mayan head-squishing’) and shows that they aren’t all that different from what’s happening in the Uglies series. Once again, fantastic essay. I learned tons.

As for the short stories:

I loved “The Beautiful People” by Charles Beaumont (published 1952). It had a very “The Cold Equations” sort of feel to it. I believe it’s considered one of the bedrocks of science fiction, and while I’m not generally a fan of traditional science fiction, I’d highly recommend it. It’s very dystopian.

The second story, “Liking What You See: A Documentary” by Ted Chiang, was also interesting, though perhaps because it’s more modern in style and I’m partial to classics, I didn’t like it as much as “The Beautiful People.” I did love the idea of calliagnosia – repressing certain impulses in the brain that measure attractiveness; calliagnosia makes a person unable to determine if someone is attractive or not, while not changing their ability to see or distinguish features. So that’s also a good story to read. **Update: Years later, this particular short story is the only thing I remember from this book at all. It really stuck with me!

My favorite part about this whole book is that there can BE a book of literary analysis for the Uglies series. It shows that while I may have been completely tongue-tied in all my various reviews, there is something (or some things) far deeper than the surface level of these books.

Posted in 2009, Prose, Young Adult | Tagged , | Leave a comment