What I Talk About When I Talk About Running, by Haruki Murakami (audio)

What-I-Talk-About-When-I-Talk-About-Running-303960I’ve never read anything by Murakami before. He’s one of those authors that scares me, probably because a long time ago I heard a rumor about some sort of animal brutality in his book Kafka on the Shore. I’m not the sort of person who likes to read vivid descriptions of any sort of brutality, so I have avoided his books. But Jenners talked about this short memoir, and it sounded like something I would enjoy. Running and writing novels, paired and compared.

I started writing very young, in my childhood, and got serious about it in my 20s. I’ve written many, many novels now, two of which are in good, query-ready condition. Up until 2006, I had never considered writing a novel, and had focused on short stories for most of my life. But in 2006, I decided to try, and I’ve gone through the painstaking, rigorous novel-writing procedure many times now. I love it, and I can definitely understand when Murakami likens novel-writing to long-distance running.

I am not much of a runner, and never have been, but I have been trying to get better at it since August of 2010. In the last few months, I finally got to where I can run a full 5K, even though I’m ridiculously slow at it (around a 14-15 minute mile pace). I enjoy running. I’m looking forward to the day when I can run faster, and longer, than I can now. And again, I can see why Murakami compares running and novel-writing. They really do have some strong similarities.

This was an enjoyable book, particularly in the first half. Murakami got me more excited about running, and made me think about setting up schedules that focus not on distance or speed, but just time spent running. But from the beginning, he also warns that this book is not a how-to on running, or even an attempt to persuade others to run. He’s just talking about how running has influenced his life, and the way he approaches the sport. These warnings are good, because the second half of the book sort of curbed my running enthusiasm, as he went on to talk about grueling training sessions and ultra-marathon races. I don’t see myself ever wanting to run a marathon, much less a 62-mile (or longer) ultra-marathon, and Murakami’s training schedules seemed a bit…extreme. I think for myself, I would prefer a more moderate approach!

Still, it was a good book to read, and I’m glad to say I finally read a book by an author who really does terrify me.

Performance: This audiobook was read by Ray Porter, who is a new-to-me narrator. He did a fine job. Nothing spectacular, but I have nothing negative to say either.

Posted in 2012, Adult, Prose | Tagged , , , , , , | Leave a comment

Pavilion of Women, by Pearl S. Buck

pavilian of womenAs Madame Wu reaches her fortieth birthday, she makes a decision that will change the life of everyone in her multi-generational housing complex. She decides that she will retire from being a woman, and bring a concubine to live with her (up-until-then faithful) husband in her place.

This is the third book I’ve read by Buck. The Good Earth, my first read, was a brilliant book, one of my favorites ever. My second read, Death in the Castle, was completely different in language, tone, and style, and far more mediocre. Pavilion of Women was far closer in style to The Good Earth, and I enjoyed it nearly as much (at least for the first 2/3rds – I’ll get to that later). I really liked Madame Wu right away. She lives in this rich family, controlling her husband without ever seeming, to his eyes, to control him. She manages everything in the house, from the accounts to her sons’ brides. Now, after 24 years of this management and submitting herself to her husband’s ardor night after night, all she wants to do is sit back in a quiet room and read.

Pavilion of Women was published in 1948, and I wonder if there was any uproar against it when it came out. The narrator is deceptively outspoken, cloaked in a quiet, self-deprecating manor, even in her silent narration. Lines like this one jumped out at me, not-so-subtle but also not at all what I would expect from proper, stately Madame Wu:

…she saw his dark eyes flicker and burn with a flame certainly more intense than she had seen for a long time. She closed her eyes, and her heart began to beat. Would she regret her decision? She lay as soft as a plucked flower for the next two hours, asking herself many times this question. Would she regret? Would she not regret?

At the end of the two hours, she knew she would not regret.

It’s written so poetically, but the poetry doesn’t hide it’s meaning. This woman is tired of sleeping with her husband for two hours every night! The book is full of these little innuendos, both sexual and political, which made the book far more rebellious than I was expecting.

One of my favorite aspects of the book is how deep Buck goes into Chinese culture, religion, and lifestyle. She lived in China for years, from her early childhood, and I think she got as close as anyone can get to really knowing a culture, while still being slightly outside of it. Unlike many writers of the time, when she writes about this non-Western culture, she does so with respect. So many writers spoke of non-Western cultures as being either inferior, exotic, or savage. Buck’s love of China and Chinese culture really comes through in Pavilion of Women, just as it did in The Good Earth. She writes about customs and beliefs without bias – without praise or censure. I feel like I can trust her portrayal.

I loved this book from the beginning, but unfortunately, the last third of the book shifted downwards for me. The book changed focus from Madame Wu and her household, to her spiritual awakening through a non-denominational priest named Brother André. While I liked Brother André’s character a lot, especially the way he never preached religion but lived what he believed a good life should be, I didn’t like that the book became moralistic and preachy through his influence. It was especially incongruous because André himself was not preachy or moralistic! So that, coupled with a few “amazing coincidences” and “happy endings,” made the end of the book feel forced and unrealistic. I preferred the neutral series of events in The Good Earth – some good, some bad – to the way Pavilion of Women ended. Other than that, though, I enjoyed the book, and it was nice to read something similar in style and tone to The Good Earth, which as I said before, is one of my very favorites.

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Thumped, by Megan McCafferty

thumpedLast year, when I read Bumped, I really, really enjoyed it. A commercially-based dystopia – something completely unique! I was really looking forward to Thumped, but the book didn’t work quite as well for me as Bumped did. There wasn’t a whole lot wrong with it – the writing was less tight, and it got a bit preachy/moralizing in bits – but it just didn’t have the same flare as Bumped for me. Bumped made me laugh, it surprised me in many places, and there was far more character development. Thumped was far more about plot, and the seemingly-required plan to overthrow the dystopia world that exists in today’s YA dystopia. That made it much less interesting to me. Still glad I read it, and it was a lot of fun, one of those books you read in a single session because you don’t want to put it down. I just wish there had been a little bit more to it.

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Faithful Place, by Tana French (audio)

faithfulI’m not a real mystery reader, but right around this time of year, I always get in the mood for a good mystery story for some reason. Been that way for the last few years, and this year is no exception. When I started feeling the urge this year, I picked up the audio of Faithful Place from the library.

Faithful Place is the third of the Dublin Murder Squad series by Tana French. Each book is narrated by a new person, introduced in the previous book. This book is narrated by Frank Mackey, a squad leader in the undercover department. Mackey left home 22 years ago and never looked back, but is drawn back to family when a decades-old murder of his long-ago girlfriend comes to light. While there is a murder in this book – two of them, actually – the primary focus of this novel is on family. Mackey is from a home and an area where the worst crimes possible aren’t murder, rape, or assault, but calling the cops and blood disloyalty. He has to disentangle justice as his family taught him and justice as written by law.

The murderer is easily spotted almost from the very beginning of this book. There are no real twists and turns as far as the mystery goes. However, I found Faithful Place far more intriguing than the first two books in the series, because of its emphasis on family and the contrast of two ideas about right and wrong. It isn’t really about who committed the crimes, but about how Mackey deals with the aftermath. French does a fabulous job portraying the culture he comes from, and working through his conflict between family and law. I really enjoyed the way his character developed all the way through the end of the book, which is not something I could say for either of the first two narrators in this series.

The ending was fractured, partially hopeful, partially painful, and incredibly realistic. Definitely my favorite of French’s books so far. I had issues with the narrator’s actions in the first book, and some believability issues with the second book, but no issues with this one. It was exactly right, and I’m looking forward to the next installment of the series.

Performance: The audio was read by Tim Gerard Reynolds. This is my first experience with him, and I thought he did a fabulous job. Perfectly in character, and his reading lent itself to the gritty atmosphere of the book.

Book 1: In the Woods
Book 2: The Likeness

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The Way of Kings, by Brandon Sanderson

200px-TheWayOfKingsI am not even going to attempt to summarize the plot to this book. It is far too epic, too gargantuan, to summarize. Sorry ’bout that.

So…more high fantasy from Brandon Sanderson. What can I say? I like the guy. I like the way he writes. And I’ve been on a real fantasy kick for all of 2012 so far. It’s what’s appealing to me right now. Nothing else, really, has been crying out to me. So even though this is a bit weird for me, I’m just going to roll with it as long as the mood lasts.

The Way of Kings is a very good book. I do have to say, though, that I’m really glad I didn’t start with this one when I decided to give Sanderson a chance. If I had, I would have given up pretty quickly and written the guy off as not for me. I never would have read the Mistborn trilogy, which has become one of my favorite reads of the year, and I definitely wouldn’t have made it far enough into this book to enjoy it. See, Mistborn wasn’t that high when it comes to fantasy. It was far more mild: a world that in many ways seemed related to our own, a magic system with its own rules, and a class conflict. I can deal with that. Really, that’s not all that different from, say, Harry Potter. But The Way of Kings? Completely out of my comfort zone. Everything about this world is different – races/species, animals, plants, history, cultures, languages, names, terminology, religion…everything. And for about the first 400 pages, it was a struggle to adjust.

This book is just over 1000 pages long, and it’s not a standalone. I believe, actually, that this is the first book in what is supposed to be a massive, multi-book long epic. [Wikipedia tells me it will be ten volumes long.] It introduces a new world, multiple plots, tons of characters, and the threads of many plots-to-be. The story switches from one character to another in only tangentially-related plots, until I was completely dizzy. Between trying to keep track of who was who, and what was what, and when was when, and simply figuring out how this world worked, it took me a long time to really get into the book. “Long” meaning, as I said above, 400 pages. I kept going because Sanderson has proven to me in the past that he can pull off a fantastic book. If it had been by anyone else, I would have given up. Those first 400 pages were HARD. But I persevered, and I’m happy that I did. In the end, it was worth it.

There are many things that Sanderson is good at, but in my opinion, where he really excels is in character. He knows how to create people that you will care about, even if you don’t like them in the beginning. Beyond that, he really understands friendship and interpersonal relationships. In Mistborn, I came to love Kelsier’s thieving crew, and in this book, I came to love Kaladin’s awkward, mismatched, surly bridge crew. By the time they have their last night of stew, I wanted to hug the book. Sanderson makes friendships that feel like family, and I love that. (Note: there were many more characters that I loved, not just the bridge crew, but if I go on about this point, this post might become as long as the book itself and I would rather it not. I will say, though, that my favorite character so far is Shallan! I want to see so much more from her!)

I am really looking forward to the next installment of this series. There are sooooo many unanswered questions here! I didn’t mind that, because I can tell that many of them are left that way intentionally, to be addressed in further volumes. This is only the beginning of what promises to be a fantastic ride, and I’m glad I’ll be along for it.

Note: This book was reread and re-reviewed in Jan 2016.

Posted in 2012, Adult, Prose | Tagged , | 3 Comments

Fire and Hemlock, by Diana Wynne Jones

230px-Cover_of_Fire_and_HemlockAt 19 years old, Polly suddenly realizes that she has two sets of memories. She explores back through the newly-uncovered memories from her tenth through fifteenth years, where she gatecrashed a bizarre funeral, made friends with a meek cellist, and created secret hero-lives for them both that nearly got them killed. Only after she’s explored all these memories does she realize that she will soon need to be a hero in real life, to save someone she didn’t even remember that she loved.

I was impressed with this book from the very first page. I’ve read a lot of Diana Wynne Jones since Howl’s Moving Castle back in January, and this is the first one I’ve read where the writing felt mature. Some of the books I’ve read, while very fun to read, have been a bit sloppy in technique. Because Jones is such a great storyteller, I didn’t mind that so much, but it was an interesting experience to suddenly come across polished, careful writing from her.

The plot drew me in immediately. I liked Polly and Tom, and the way their friendship grew despite the large age difference. I was intrigued by Laurel, the funeral, and the NOWHERE vases. There was a lot I didn’t understand, but the threads kept coming together into something that promised to be fantastic.

Then I got to the end, and it all sort of…fell apart. It’s not like the ending was bad, it just felt incomplete. As if I stopped reading several chapters before the story finished. The last few pages were so rushed and left tons of unanswered questions. I don’t mind ambiguity in a book, but this felt more than ambiguous. It felt unraveled. I don’t know. Maybe if I reread it, I’d understand it better? Maybe some of the threads would be easier to see on second read? I’m not willing to say I disliked the book, because I didn’t. I enjoyed it immensely, and never wanted to put it down. But in the end, I just wanted more. It left me unsatisfied.

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The Alloy of Law, by Brandon Sanderson

Alloy-of-Law-UKsmI really loved the Mistborn trilogy, but this one was disappointing. I don’t like Westerns at all, so all the cowboy-gun-slinging stuff just bogged me down the whole time. I didn’t really like any of the characters except Marasi. I never found myself caring about the conflict, either. In fact, really the only thing I liked about this one was periodic appearances or mentions of characters from the original trilogy. I really thought I would like the book going in, and was very much looking forward to it, but it disappointed me. I’m not sure I’ll continue to read on when further books come out. :/ That makes me sad.

Posted in 2012, Adult, Prose | Tagged , , , | 4 Comments

The Hero of Ages, by Brandon Sanderson

the-hero-of-ages-by-brandon-sandersonThis book had so much in it! It’s the only book of the trilogy that I’ve only read once (so far, because I’ve started to read the whole thing again), and I’m still not sure my brain fully comprehends everything that happened. It certainly made me feel a whole range of different emotions. I laughed a lot, and smiled a lot, and cried a couple times, and felt really uncomfortable in moments, and mostly I just wanted to hug the whole series by the time I was through. This is probably the real reason I can’t write a real review here. My thoughts are way too scattered to be coherent, and there are spoilery things I must say!

So…I talked about some moral ambiguity in the last book. It was much bigger in this one. I’m not sure I liked who Elend ended up having to become. I much preferred him as the sloppy, disheveled scholar, and I like that he regained some of that near the end. It was parallel in a way to Vin’s journey of discovery in the last book.

There were so many revelations in this book, things that I can see there have been hints about since the beginning, now that I’m going back to reread. My biggest jaw-drop moment was when Vin realizes that Reen’s whisper in her head as been Ruin all along. At that moment, I knew: her earring was a hemalurgic spike! It all made sense – the reason she could draw on the mists when she killed the Lord Ruler was he’d ripped it out of her ear! I figured all that out waaaay before Vin, haha, but I guess I had more of the answers before she did as well.

I felt so sorry for Marsh. I love that in the one crucial moment, he was able to rebel just enough to save Vin, even as he sat there breaking her bones one by one (*shudder*).

I’m so glad TenSoon was a major character here, but I’m also sad that with everything he worked so hard to do for Vin, he never even had a chance to see her again. Vin never knew that he was trying to help, or that he’d learned that not all humans were bad. The kandra society in general was very interesting to learn about, and their role with the atium. I also loved the parallel of the First Generation and Lord Ruler to the way Kelsier’s friends couldn’t really worship him, having known him as a man. Religion in general played such a huge role in this book. I like how we got to see the point of view of someone who did actually worship the Lord Ruler, something we haven’t seen the whole series. I also liked Sazed’s slow battle with depression and faith, though I worried that it was going to devolve into a Christian allegory for awhile. Thankfully, it didn’t! Also, as a sidenote, I love how Sazed’s gender (as a eunuch) was address as part of the prophecies about the Hero of Ages. That’s not something I see often in books.

Spook. We hardly know anything about Spook before this book, but we learn so much of his story, and see him grow. He was fantastic. I loved that he figured out about the spikes and saved so many people. And his childhood, where his name came from…just so sad! We never did find out his real name.

In fact, there were several things that I never really found out in this book. We know Zane was spiked by Ruin and easy to spike because of his instability, but never why or when or who did it. We learn nothing of the incident. That’s just one example. There was a lot left unanswered, stuff that will probably never be answered. I didn’t mind, though. For some reason, that felt natural. Realistic. We can’t know everything.

One of the best moments of this book, the one that really brought tears to my eyes, came from Ham. Ham is one of my very favorite characters, and I smiled every time he showed up. There’s one moment when Elend asks if having the koloss attack Fadrex City is the right thing to do. Ham starts with his generalized philosophies, as he always does, but then stops himself and just says, “No.” It’s a crucial, crucial moment in the book, and really the only time Ham stops seeing both sides and makes a decision. He lands on the right side, and I wanted to hug him. That’s probably my favorite scene in the whole book.

Aaaaand I’ve babbled on too long. There was a reason I couldn’t write a review. There’s just too much in this series! I’m so happy I read it! That’s all. I’ll go away now.

Book 1: The Final Empire
Book 2: The Well of Ascension

Note: I listened to the audiobook version of this book, read by Michael Kramer, in March 2016. It was my first experience with the audio, having read this in print in the past. It was an odd experience, because several of the characters’ voices changed drastically from what they were on the first and second books’ performances. Not bad, just a bit odd.

Posted in 2012, 2016, Adult, Prose | Tagged , , , , , , , , , | 1 Comment

Phantom Fortune, by Mary Elizabeth Braddon

phantom-fortune-novel-braddon-m-e-paperback-cover-artThis book was okay, but mostly just gossipy fluff-intrigue. Stolen fortunes, hidden identities, societal corruption, etc. I can see why it didn’t stand out among the many books written at that time, and it didn’t really live up to Lady Audley’s Secret, which is the only other book by Braddon I’ve read. Still, it was a fun read, even if not very memorable.

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